by Kenneth Murphy ‧ RELEASE DATE: Aug. 1, 1991
Meticulously detailed yet disappointing biography of the French activist/art authority/novelist/politician who began his career by trying to smuggle Khmer sculptures out of Indochina and ended up as minister of culture under de Gaulle's Fifth Republic. In the intervening years, Malraux helped establish an anticolonialist newspaper in Saigon, got to know the Communist cadre in China (about whom he wrote in his novel Man's Fate), led an air squadron during the Spanish Civil War (the source of Man's Hope), and was an important member of the French Maquis during WW II. Plenty of colorful raw material, then, but despite his piling up of facts, Murphy, a former staff member of The Economist, is unable to bring his protagonist to life. Part of the problem seems to lie in Malraux's character itself. Cold, egocentric, domineering, he refused to let the outside world penetrate beneath his chilly facade. Even the four major women in his life—Claire, his first wife; Josette, who bore him two sons out of wedlock; Madeleine, his brother's widow, whom he married after the war; and Louise de Vilmorin, his aristocratic mistress during his final years—seem to have been held at arm's distance. The closest Malraux appears to have come to a deep emotional involvement was with de Gaulle. Ironically, it was this attachment that led to Malraux's being vilified as a reactionary during the student riots of 1968. Murphy does provide some interesting insights, however: His analysis of Malraux's growing disillusionment with the Communist cause during the Spanish Civil War is sensitive and convincing, and an anecdote concerning the French minister's being invited to Washington to consult with US officials before Richard Nixon's first trip to China is intriguing (Henry Kissinger found Malraux's opinions hopelessly out-of-date). Heavy on the whos, whats, whens, and wheres; much too light on the whys. (Sixteen pages of b&w photographs—not seen.)
Pub Date: Aug. 1, 1991
ISBN: 0-8021-1033-9
Page Count: 752
Publisher: Grove
Review Posted Online: April 25, 2011
Kirkus Reviews Issue: July 1, 1991
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BOOK REVIEW
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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