A sweet and funny story about an unusual friendship.
“No one was awake to see it happen.”
No one except Rickman, the cat, who was snooping around for something to eat. He saw the whole thing: The ink in Mr. Rylance’s sketchbook came to life, slithered across the page and lifted right out of the book, leaving no sign it had ever occupied the white paper. Ethan, Mr. Rylance’s son, hates drawing, but everyone thinks that because his dad is a famous graphic novel artist, Ethan has talent. The terrible truth is that he can’t draw, but his friends have designated him the artist for a school project. Then Ethan meets the splotch with a mind of its own and dubs it “Inkling.” Inkling has taught himself (Oppel genders Inkling male with pronoun use) to read and communicates by forming words on paper—and he can draw! But then Inkling goes missing. Has he been kidnapped? Did he run away? The third-person narrative follows Ethan, a classmate, and Inkling, neatly developing the inkblot into a memorable character in his own right. In a metafictive touch, the corners of the pages are themselves splotched, giving readers the feeling that they’re part of the story. Ethan’s 9-year-old sister has Down syndrome but isn’t a sentimental plot device; she adds an extra layer of true humor and warmth to the story. The characters all present white in Smith’s vignettes.
A sweet and funny story about an unusual friendship. (Fantasy. 7-12)Pub Date: Nov. 6, 2018
ISBN: 978-1-5247-7281-9
Page Count: 240
Publisher: Knopf
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
A didactic blueprint disguised as a supernatural treasure map.
A girl who delights in the macabre harnesses her inherited supernatural ability.
It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.
A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)Pub Date: Aug. 10, 2021
ISBN: 978-0-06-304460-9
Page Count: 288
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
An incredibly heartfelt depiction of immigrants and refugees in a land full of uncertainty.
Picking up a week after the grueling journey chronicled in The Only Road (2016), Diaz’s profound sequel finds 12-year-old Jaime Rivera and his cousin Ángela adjusting to life in El Norte.
Jaime doesn’t know English too well, and his first days at school result in an unfortunate bathroom accident, mocking giggles from his classmates, and snide comments from the class bully, Diego. To Jaime’s horror, Ángela seems to have changed overnight, making new friends with ease, switching to English almost exclusively, and acting aloof about their recent odyssey. Meanwhile, the specter of deportation looms endlessly, and terrible news from Guatemala involving Abuela and the Alphas erases any hope of returning to their village any time soon. Like its predecessor, this timely follow-up addresses the threats that immigrants and refugees face daily in El Norte, where “talk of a massive wall and deporting all of us” continues unabated. Diaz keeps the intimate third-person narration intact as she skillfully explores Jaime’s new life in New Mexico, although the novel’s noble objectives often deny any meaningful character development. Fortunately, well-sketched friends and family offer Jaime support in unexpected ways, including Sean, a deaf, white schoolmate who incites a pleasant subplot, and the gentle Don Vicente, an old Mexican cowboy whose relationship with Jaime forms the heart of the novel.
An incredibly heartfelt depiction of immigrants and refugees in a land full of uncertainty. (author’s note, references, further reading, glossary) (Fiction. 8-12)Pub Date: Sept. 4, 2018
ISBN: 978-1-5344-1455-6
Page Count: 336
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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