A standout sequel and engrossing ghost story.
He failed to save his twin brother through alchemy, but young Victor Frankenstein eagerly delves back into the sinister sciences in this sequel to 2011’s This Dark Endeavor.
Three weeks after Konrad’s death, Victor plucks a mysterious box from the still-warm ashes of the books of the Dark Library. Demonstrating tremendous hubris, Victor aims to return Konrad to the living world and still win Elizabeth, Konrad’s grief-stricken love and the boys’ childhood friend. When Victor uncovers a way into the spirit world, he finds that Konrad is in neither heaven nor hell but in an alternate version of the house, where eons collide, a ravenous mist lurks outside, and groans arise from below. Elizabeth and Henry Clerval soon join Victor on his journeys to the other realm and on his mission to build a body for Konrad, based on ancient drawings and monstrous bones discovered in caves beneath the castle. As in the first book, the trio realizes the high cost of their quest too late. Victor is a fascinating if sometimes unlikable character, ambitious, brooding, reckless and obsessive in his pursuit of knowledge and power; Printz honor winner Oppel skillfully portrays him as both a troubled teen and the boy who would become Frankenstein. Addictions and lustful encounters add another layer of sophistication to the gothic melodrama.
A standout sequel and engrossing ghost story. (Horror. 14 & up)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0318-5
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: June 1, 2012
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
Lackluster.
Lizzie Borden’s story gets a contemporary reimagining.
Sisters Charlotte and Maddi grieve for their deceased mother. They were told her heart stopped, but they find that suspicious. To make matters worse, Amber, their mother’s young personal assistant, is now dating their dad and wearing their mother’s jewelry. When Maddi uncovers poison in their house, the siblings start to question whether their dad and Amber had something to do with their mother’s death. They share their worries with Uncle Jake, their mom’s brother, and new student Lana seeks Charlotte’s friendship and offers to help as well. However, Charlotte and Maddi soon learn the only ones they can truly trust and rely on are each other, and drastic measures may be warranted. Readers familiar with the true Borden story will know that murder is coming, but this novel’s focus is on the mindsets and emotions of the sisters as their grief turns to anger and rage. Short chapters shift between Charlotte’s and Maddi’s narratives. Charlotte in particular feels like an unreliable narrator, as she constantly questions and contradicts herself, which will make readers question her mental state. The story has all the trimmings of a slow-burn psychological thriller, but the straightforward, repetitive text is dull while the twists and turns are obvious and lack shock value or are simply not believable. Main characters are assumed White.
Lackluster. (author’s note, resources) (Psychological thriller. 14-18)Pub Date: Jan. 4, 2022
ISBN: 978-0-593-37552-5
Page Count: 352
Publisher: Delacorte
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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