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ACROSS THE RIVER

LIFE, DEATH, AND FOOTBALL IN AN AMERICAN CITY

A penetrating, wide-screen story of what it means to mentor under the toughest of circumstances.

A sociologically oriented look at a high school football season in a poor section of New Orleans.

Washington Post reporter Babb isn’t interested in delivering a play-by-play analysis of Edna Karr High School’s 2019 season. More significantly, he offers well-rounded portraits of the personalities involved with the team: the coaches, players, fans, and the city as a whole. The primary character is head coach Brice Brown, who displays a sharp football mind and exudes grace and generosity, creatively treating his players as distinct individuals who respond to varying treatment. If needed, he will provide for his players: clothes, shelter, food, transportation, life advice, etc. He also conducts uncomfortable discussions, creating “challenging, often uncomfortable, social scenarios that fluster kids by design. These are meant as psychological stress tests.” Most players live in poverty-riddled, dangerous neighborhoods, so Brown is constantly looking out for their well-being. Babb explains the psychogeography of New Orleans and especially how Hurricane Katerina impacted the students’ sense of place and their insecurities. He also investigates the burgeoning gentrification of the city, an ongoing process with dire consequences. “Displaced residents aren’t just physically uprooted from their homes, neighborhood, and comfort zones,” writes the author. “They often carry harsh emotional burdens that, in particular for children, can lead to higher risk of anxiety and depression.” At the same time, Babb wrestles with an existential element that attends the sport of football in most marginalized communities: the physical dangers of the game versus the opportunity to rise out of poverty—not just via college scholarships or (rarely) being drafted in the NFL, but by providing a transformative atmosphere that fosters independence, self-worth, and discipline. The author also probes the New Orleans police department through the lens of investigations into the shootings of players and the impact that violence has on all members of the community.

A penetrating, wide-screen story of what it means to mentor under the toughest of circumstances.

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-295059-8

Page Count: 304

Publisher: HarperOne

Review Posted Online: June 18, 2021

Kirkus Reviews Issue: July 15, 2021

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MAKING A SCENE

Disjointed in spots but thoughtful and often inspirational.

An acclaimed actor “taught not to make scenes” as a young girl explores how “scenes” from her life have made her into the woman she became.

In her first book, Wu, best known for her roles in the TV show Fresh Off the Boat and the film Crazy Rich Asians, reflects on the experiences that transformed her from a shy girl into a self-confident performer able to create meaningful, stereotype-defying characters. The American-born daughter of Taiwanese immigrants, Wu, who dreamed of a professional acting career, assimilated well into the conservative White Virginia suburb where she grew up. Yet the Asian actors she saw often made her want to cringe for the way they brought attention to the “Asian-ness” Wu could not entirely accept in herself. It wasn’t until she began studying drama in college that the author began to dig within herself to find what could truly make her characters come alive. In her personal life, Wu deepened her emotional maturity with lessons in love while also experiencing the turmoil caused by a traumatic sexual experience. “I didn’t feel attacked or assaulted or coerced and I certainly didn’t feel raped,” she writes. “Strange as it sounds, the word ‘rape’ didn’t even occur to me.” After moving to California for her acting career, she began to educate herself on rape culture. Her awakening, however, could not protect her from Hollywood anti-feminism or her own desire to be a “cool girl” who could brush off casual misogyny. As she gained professional visibility and acclaim, Wu found herself at the mercy of an Asian American producer who intimidated and sexually harassed her. The essays—parts of which she cleverly imagines as stage scenes—are intimate and rich in emotional detail. However, the time shifts and occasional lack of thematic connection sometimes limit the impact of the author’s message.

Disjointed in spots but thoughtful and often inspirational.

Pub Date: Oct. 4, 2022

ISBN: 978-1-982188-54-2

Page Count: 336

Publisher: Scribner

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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RAGE

An essential account of a chaotic administration that, Woodward makes painfully clear, is incapable of governing.

That thing in the air that is deadlier than even your “strenuous flus”? Trump knew—and did nothing about it.

The big news from veteran reporter Woodward’s follow-up to Fear has been widely reported: Trump was fully aware at the beginning of 2020 that a pandemic loomed and chose to downplay it, causing an untold number of deaths and crippling the economy. His excuse that he didn’t want to cause a panic doesn’t fly given that he trades in fear and division. The underlying news, however, is that Trump participated in this book, unlike in the first, convinced by Lindsey Graham that Woodward would give him a fair shake. Seventeen interviews with the sitting president inform this book, as well as extensive digging that yields not so much news as confirmation: Trump has survived his ineptitude because the majority of Congressional Republicans go along with the madness because they “had made a political survival decision” to do so—and surrendered their party to him. The narrative often requires reading between the lines. Graham, though a byword for toadyism, often reins Trump in; Jared Kushner emerges as the real power in the West Wing, “highly competent but often shockingly misguided in his assessments”; Trump admires tyrants, longs for their unbridled power, resents the law and those who enforce it, and is quick to betray even his closest advisers; and, of course, Trump is beholden to Putin. Trump occasionally emerges as modestly self-aware, but throughout the narrative, he is in a rage. Though he participated, he said that he suspected this to be “a lousy book.” It’s not—though readers may wish Woodward had aired some of this information earlier, when more could have been done to stem the pandemic. When promoting Fear, the author was asked for his assessment of Trump. His reply: “Let’s hope to God we don’t have a crisis.” Multiple crises later, Woodward concludes, as many observers have, “Trump is the wrong man for the job.”

An essential account of a chaotic administration that, Woodward makes painfully clear, is incapable of governing.

Pub Date: Sept. 15, 2020

ISBN: 978-1-982131-73-9

Page Count: 480

Publisher: Simon & Schuster

Review Posted Online: Sept. 18, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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