Nelson's third novel (All Around Me Peaceful, 1989, etc.)—a rousing, realistic story about an ornithologist in midlife crisis who finds himself. Its sense of place is powerful, and its integration of personal matters with political intrigue skillful. Scott Talmadge returns to the Southwest when he's offered a temporary position as a professor of ornithology in Tucson. The first half of the book weaves together flashbacks with quotidian detail. Talmadge's marriage to Demer was a ``slow, downward spiral''—a tangled history that includes Tilghman Myre, an old college friend and possible rival, still in the vicinity, whose ``gaze was always on the next hurdle.'' Through occasional letters from Demer, who left Talmadge for South America to help political refugees, and through his renewed association with Myre, who is rescuing Guatemalan refugees seeking asylum, Talmadge works his way past personal indecision to get involved hip-deep in the asylum movement. The second half of the story includes Talmadge's eventual love interest, Francie, once involved with Myre; novelist Ellis Carmichael, who lives in Central America; and a series of adventures and misadventures, sometimes baggy but often snappy and tense, through which Talmadge learns to take risks both for himself and others. He reads Demer's journals—a clichÇd device, but one that serves here—and discovers that she's deeply involved in the movement and that he can let go. After Myre dies in the American desert during a rescue operation, Carmichael writes a book about ``a man for the eighties: principled but misguided, a rebel with a lost cause''; Francie gets pregnant; and life goes on: ``We lose track of people, even the people we once loved.'' Like Dan O'Brien and Tom McGuane, Nelson manages to convey grandly what people and places make of each other.
Pub Date: Oct. 1, 1991
ISBN: 0-87905-394-1
Page Count: 260
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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