by Kergan Edwards-Stout ‧ RELEASE DATE: Nov. 13, 2013
Uneven writing but provocative stories with a clear, vital message.
The holiday season adds further strain to complex, tense relationships in this diverse collection of short stories.
In 14 stories, Edwards-Stout (Songs for the New Depression, 2011) assumes an impressive range of voices: ball-breaking business woman, grade schooler struggling with gender identity, mother-to-be and transgender father, uprooted domestic worker, and more. This willingness to step inside the minds of such disparate, often nonmainstream characters hints at Edwards-Stout’s confidence as a writer and his broad life experiences. While a book that shifts perspectives so frequently could become dizzying, Edwards-Stout tethers his characters to recurring themes of giving, holidays and acceptance. In “The Old Rugged Cross,” Cassandra follows her son, Reggie, from Alabama to California. He’s a fireman, a profession that killed his father, Cassandra’s husband. While Cassandra is content in Jackson, Ala., and in the honest work of a domestic, she misses her son and yields to his pleas to relocate: “He was all she had, aside from Jesus.” But when Reggie dies just before Christmas in the line of duty, Cassandra abandons Jesus and her old, weathered Bible: “[S]he banished it to a drawer, piling other books on top, as if to suffocate it.” Cassandra revels in being forsaken until she learns to accept her son’s choices, his dedication to service and her own source of passion. Acceptance—of oneself and of others—is Edwards-Stout’s resounding message. Elsewhere, in “The Cape,” a young man struggles to accept the death of many friends from AIDS; in “Hearts,” a high school girl learns to accept being Jewish; and in “Gifts Not Yet Given,” a mother finds a heartbreaking but tender way to accept giving her child up for adoption. Edwards-Stout’s stories are original and important, yet the delivery isn’t flawless. Awkward sentence structures throughout the book tend to stall reading and force characters to perform the impossible: “Running back out to the car, Paul hauled in his last items.” And in several stories, a change of heart comes too easily. For instance, during a single visit, a mother appears to abandon her lifelong bias against her child’s gender identity. Readers appreciate some resolution, but the kind of acceptance these characters seek is often too easily won here.
Uneven writing but provocative stories with a clear, vital message.Pub Date: Nov. 13, 2013
ISBN: 978-0983983736
Page Count: 232
Publisher: Circumspect Press
Review Posted Online: Oct. 21, 2013
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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