Well-written historical fiction stuffed with action and adventure.
In Lopez’s novel, a father’s search for his abducted daughter toggles back to his own past and the larger picture of the exploitation of New Mexico in the mid-19th century.
Antonio Jose Baca wishes only to raise his family in peace on his ranchito near the Pecos River in New Mexico. A ragtag detachment of Texas Rangers shows up, hungry and lost, and in the space of an hour, they have roughed up his wife, shot their young son (he survives), kidnapped their daughter, Elena, and high-tailed it back to Texas. Antonio, of course, sets out after them. He does have an advantage. In his youth, he was a cibolero, a buffalo hunter, on those forbidding plains still called the Llano Estacado. He is an expert tracker, and his blood is up. In a series of flashbacks, we learn the geography of the area and its history that goes back centuries. We learn how the Civil War would affect things and how the rise of Texas threatened the nuevomexicanos from the beginning (“So far from God…and so close to Texas”). After 1848, the U.S. claims New Mexico, and immigrants—gringos—come pouring in. Suddenly, the nuevomexicanos and Indigenous people are second-class citizens and displaced on their own land, and the arrogant gringo soldiers are deservedly hated. Revolts are mounted but inevitably and brutally put down. We follow Antonio until the end of his quest.
Lopez is an authority on New Mexican history and topography, and his novel rings true throughout. He is also a very talented writer with nary a false step (“To the Tejanos the llano is a useless desert, Antonio thought. To the Indians and Ciboleros, it is a world filled with life”). Antonio is well drawn, and Lopez is even better with his villains. Those Texas Rangers differ from an outlaw gang only because their leader, Capt. Travis Russell, has a conscience. The others range from simpletons to the truly psychopathic, especially one J.D. Calhoun, scion of Texas money. Again one thinks of arrogance, a defining and infuriating trait of these interlopers—the Texas gang, Gen. Stephen Kearny who rubbed the nuevomexicanos’ noses in the American takeover, the drunken, murderous troopers, the condescension of Kit Carson and Charles Bent. (One can’t help but cheer when Bent’s head is paraded around Taos on a pikestaff.) Especially satisfying is the way the Ranger contingent is thoroughly spooked when two of the young troopers run into serious trouble. They assume the feared Comanche are to blame. Antonio is the relentless avenger, particularly deadly, and one feels the noose tightening. There are all sorts of side stories here, too, each a little nugget, and small episodes, like the murder of Nathan, a Black man, and Antonio’s efforts to rescue his orphaned children. And keep your eye on Josiah Smith, “the preacher.” There are nasty surprises and, oddly, some sweet interludes.
Well-written historical fiction stuffed with action and adventure.Pub Date: Aug. 3, 2007
ISBN: 978-0-59-543567-8
Page Count: 182
Publisher: iUniverse
Review Posted Online: Aug. 24, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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