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IT’S NOT YOU, IT’S ME

Girl meets boy, girl subsumes self for boy, boy dumps girl, and (the twist) girl goes off the deep end (for exactly one month) attempting to win boy back. Hoffmann’s latest takes a close, overearnest look at the self-absorption of the newly dumped. Present-tense, third-person narration combined with short sentences is a gutsy move. However, the abundance of passive verbs distances Zoë’s pain. While Zoë’s antics and incessant obsession are occasionally amusing (befriending the new love interest, kissing the boy’s best friend), mostly she comes off as sad and a bit insane (an obsessive personality is mentioned casually). Her thinly sketched best friends and the boy who loves Zoë from afar try to rein her in, but her love for Henry leads her to growing heights of idiocy, detailed day by day, until the inevitable realization that one never wins the boy by losing oneself. Quick, familiar, even appealing territory for many, but in the end Zoë’s cringeworthy behavior might elicit more disgust than sympathy. (Fiction. 12 & up)

Pub Date: June 9, 2009

ISBN: 978-0-385-73696-1

Page Count: 192

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2009

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THE SECRET WORLD OF BRIAR ROSE

Somberly beautiful.

A girl goes in search of her missing sister and discovers a strange hidden world of dreams.

Corin, who’s 18 and dark-skinned, strives to protect her 12-year-old sister, Elly. But life as a thief is full of struggle, poverty, and loss, even without Corin’s avoidance of other relationships. Elly clings to the promise of fairy tales, like the one that says a princess lies sleeping in an underground castle after pricking her finger on a spindle. After the sisters fight and Elly runs off, Corin searches for her in Gyldan’s old network of tunnels—and finds the tale is true: Cursed Princess Amelia, golden-haired, with eyes like “sea glass” and porcelain skin, lies asleep, surrounded by flowers. Corin enters the princess’ dreamworld—the place “where your subconscious desires come to life.” She meets Briar Rose, Amelia’s alter ego, who experienced her share of sadness and wanted to fall asleep. Also in the dreamworld is green-skinned Malicine, the nonbinary demon who, despite having placed the curse of eternal slumber on Amelia, is mostly friendly. All three are running from things they can’t face, though the dreamworld may not give them a choice. Pham’s debut, a Sapphic reimagining of “Sleeping Beauty,” explores mental health and asks a lot of readers as it seesaws between emotional confrontations, time jumps, and scenes where one character inhabits the memories of another, all of which demand intense engagement. Still, the ending is earned as well as positive.

Somberly beautiful. (content note) (Fantasy. 14-18)

Pub Date: June 2, 2026

ISBN: 9798217113026

Page Count: 400

Publisher: Kokila

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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