A dynamic rescue tale laced with an age-appropriate science lesson.
A massive cargo ship is unable to free herself without help from the moon.
Tug the Tugboat notices that his friend the moon looks quite small. “I only look little because I am not yet close,” the moon explains. “It’s all part of my dance.” Tug loves the moon’s dance—it brings in the tides that allow boats to sail. Unfortunately, when the cargo ship becomes wedged in the sand and silt, the moon is still too far off to intervene. Tug attempts to help, as do three diggers and a dredger, but it’s impossible to budge the vessel from the canal. The ship is held fast for seven days until the moon reaches her largest size. Now that she’s “the fullest and closest and strongest she could possibly be,” she uses her gravitational pull to create a massive wave that lifts the ship up—with some assistance from Tug and company. The backmatter is essential to understanding what happens to the ship; it clearly explains concepts such as tides and gravitational pull. Inspired by the true story of the Ever Given, which in 2021 became stuck in the Suez Canal, the narrative is related in a breathtaking manner that will leave readers on the edge of their seats. Action-filled digital artwork featuring charmingly anthropomorphized characters effectively supports the text.
A dynamic rescue tale laced with an age-appropriate science lesson. (Picture book. 4-8)Pub Date: July 9, 2024
ISBN: 9780593528396
Page Count: 32
Publisher: Viking
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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