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THE TUGBOAT AND THE SILVER MOON

A dynamic rescue tale laced with an age-appropriate science lesson.

A massive cargo ship is unable to free herself without help from the moon.

Tug the Tugboat notices that his friend the moon looks quite small. “I only look little because I am not yet close,” the moon explains. “It’s all part of my dance.” Tug loves the moon’s dance—it brings in the tides that allow boats to sail. Unfortunately, when the cargo ship becomes wedged in the sand and silt, the moon is still too far off to intervene. Tug attempts to help, as do three diggers and a dredger, but it’s impossible to budge the vessel from the canal. The ship is held fast for seven days until the moon reaches her largest size. Now that she’s “the fullest and closest and strongest she could possibly be,” she uses her gravitational pull to create a massive wave that lifts the ship up—with some assistance from Tug and company. The backmatter is essential to understanding what happens to the ship; it clearly explains concepts such as tides and gravitational pull. Inspired by the true story of the Ever Given, which in 2021 became stuck in the Suez Canal, the narrative is related in a breathtaking manner that will leave readers on the edge of their seats. Action-filled digital artwork featuring charmingly anthropomorphized characters effectively supports the text.

A dynamic rescue tale laced with an age-appropriate science lesson. (Picture book. 4-8)

Pub Date: July 9, 2024

ISBN: 9780593528396

Page Count: 32

Publisher: Viking

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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