If you thought Immortality was powerful, just wait until you read the sequel.
The fate of humanity may be worse than death in this involving conclusion to Bohacz’s (Immortality, 2007) two-part techno-thriller. Two years have passed since the events of Immortality, when nanotech-plague kill zones reduced the population of the world to a slight fraction of what it had been. No natural disease, the plague was unleashed by the god-machine—an ancient, sentient network housed in supercolonies across the globe—whose inscrutable calculations showed it was to the benefit of Earth for the human population to be pruned back. Although the time of kill zones ended as abruptly as it began, only a few people know the truth—and that truth is a liability the recovering governments cannot allow the public to hear. Dr. Kathy Morrison, a former scientist with the Centers for Disease Control and Prevention who first studied the kill zones, now lives in a small settlement of scientists in Pueblo Canyon, Ariz., eking out an existence and hoping to stay beneath the government’s radar. The biologist Dr. Mark Freedman lives there, too, as well as former police officer Sarah Mayfair, one of the few to survive after being inside a kill zone. But Mark and Sarah are hybrids now, with the nanotech seeds of the god-machine steadily replacing their biology with nanotechnology, making them smarter, faster and active peripherals in the god-machine’s “n-web network,” the wireless neurological interface carried by bacteria into nearly all multicelled creatures on earth. Across the n-web, Mark and Sarah feel a pull—a “singularity,” as Mark calls it, “like a black hole…sucking in all the data from the n-web around it”—that they’re drawn to investigate. Mark and Sarah leave their refuge on a quest that takes them across the nation and toward a terrifying conclusion. The horrors of the plague, they realize, were only a harbinger of more disasters. Meanwhile, Kathy, fearing what her ex-patient, Sarah, and lover, Mark, were becoming, stays behind only to be discovered by “Peacekeeper” forces under the direction of Gen. McKafferty, a misguided patriot who holds these three responsible for the death of millions; he’ll stop at nothing to capture them. Blending fierce action, twisted conspiracies and bold “transhumanist” visions, Bohacz once again drives readers through a whirlwind in which even the characters aren’t sure if their thoughts are their own or if they were installed by the god-machine. Though the novel occasionally falters under the weighty exposition of its own ideas, Bohacz constantly raises the stakes, and the crisp dialogue and well-drawn characters keep the story barreling forward.
If you thought Immortality was powerful, just wait until you read the sequel.Pub Date: N/A
ISBN: 978-0979181535
Page Count: 389
Publisher: Mazel & Sechel
Review Posted Online: June 12, 2013
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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