The book lacks the friendly wit of Dr. Seuss’ and Mo Willems’ early readers, but it’s a useful resource for both children...
Following Lazy Bear, Crazy Bear and Gran on a Fan (both 2015), Bolger and Hodson shift focus from phonics to introduce children to different sight words and sentences that provide the basic building blocks for independent reading.
Using juxtapositional situations between the two main characters (orange Ed and purple Fred, both indeterminate, friendly-looking bipeds with big noses), the book aims to teach 53 of the very first sight words children will encounter during their reading journeys. Ed and Fred are presented on each page doing different things: Ed is at the beach, playing, running, jumping, and swimming, while Fred is doing none of these things and usually falling into misadventures. With a few short sentences per page, the story goes on, introducing concepts to readers while being a tad cruel toward Fred with its silly examples and situations (he was fine on the horse, but he doesn’t much like having the horse on him, for instance). Eventually Fred breaks the fourth wall, demanding better scenarios, and it does not go well. A note encouraging readers to practice the words learned from the book until they can read them on their own is attached at the end.
The book lacks the friendly wit of Dr. Seuss’ and Mo Willems’ early readers, but it’s a useful resource for both children learning to read and adult English language learners, if heavy on the slapstick. (Early reader. 6-8)Pub Date: March 22, 2016
ISBN: 978-0-06-228600-0
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 24, 2015
Kirkus Reviews Issue: Dec. 15, 2015
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Cute and brave—gee, Rot’s spud-tacular!
A “scaredy-spud” puts on his brave face.
All “mutant potatoes” love mud. Mud is good for playing games, eating, and even sleeping. But few taters have more tender feelings toward muck than Rot. À la Pete the Cat, Rot celebrates mud in song: “Mud between my toes! / Mud in my nose! / Mud is GREAT / wherever it GOES!” When Rot’s big brother, Snot, tells Rot about the Squirm that lives “deep down in the mushy muck,” his love quickly turns to fear. But he doesn’t give up! Instead, Rot imagines himself in various disguises to work up courage. There’s “Super Spud” (a superhero), “Sir Super Rot, the Brave and Bold” (a superhero-knight), and even “Sir Super Rot the Pigtato” (a, um, superhero-knight-pig-potato). The disguises are one thing, but, deep down, is Rot really brave enough to face the Squirm? Readers wooed by Rot’s charm in Rot: The Cutest in the World (2017) will laugh out loud at this well-paced encore—and it’s not just because of the butt cracks. Clanton creates a winning dynamic, balancing Rot’s earnestness, witty dialogue, and an omniscient, slightly melodramatic narrator. The cartoon illustrations were created using watercolors, colored pencils, digital collage, and—brilliantly—potato stamps. Clanton’s reliance on earth tones makes for some clever, surprising page turns when the palette is broken.
Cute and brave—gee, Rot’s spud-tacular! (Picture book. 6-8)Pub Date: June 16, 2020
ISBN: 978-1-4814-6764-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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