by Kevin Bolger ; illustrated by Ben Hodson ‧ RELEASE DATE: March 22, 2016
The book lacks the friendly wit of Dr. Seuss’ and Mo Willems’ early readers, but it’s a useful resource for both children...
Following Lazy Bear, Crazy Bear and Gran on a Fan (both 2015), Bolger and Hodson shift focus from phonics to introduce children to different sight words and sentences that provide the basic building blocks for independent reading.
Using juxtapositional situations between the two main characters (orange Ed and purple Fred, both indeterminate, friendly-looking bipeds with big noses), the book aims to teach 53 of the very first sight words children will encounter during their reading journeys. Ed and Fred are presented on each page doing different things: Ed is at the beach, playing, running, jumping, and swimming, while Fred is doing none of these things and usually falling into misadventures. With a few short sentences per page, the story goes on, introducing concepts to readers while being a tad cruel toward Fred with its silly examples and situations (he was fine on the horse, but he doesn’t much like having the horse on him, for instance). Eventually Fred breaks the fourth wall, demanding better scenarios, and it does not go well. A note encouraging readers to practice the words learned from the book until they can read them on their own is attached at the end.
The book lacks the friendly wit of Dr. Seuss’ and Mo Willems’ early readers, but it’s a useful resource for both children learning to read and adult English language learners, if heavy on the slapstick. (Early reader. 6-8)Pub Date: March 22, 2016
ISBN: 978-0-06-228600-0
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 24, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Sara Ball with Matt Garczynski ; illustrated by Sara Ball ‧ RELEASE DATE: Oct. 9, 2018
Dog lovers and young Dr. Moreaus alike will guffaw.
Split pages allow mixing and matching sections of 10 purebred canines.
Forget cockapoos and labradoodles—flipping the three segments here back and forth makes for some truly unlikely hybrids: “I’m a Bulldog— / Yorkshire Terrier— / Great Dane mix”; “I’m a Komondor— / Greyhound— / Poodle mix”; “I’m a Dachshund— / Shar-Pei— / Dalmatian mix.” Ball (Flip-O-Storic, 2011) cranks up the drollery with a set of big, handsome pooches drawn and colored to set off their distinctive characteristics, posed naturalistically against plain yellow backgrounds, and looking up or out with doggy devotion. She also adds the occasional tail-pulling puppy, silly hat, or other comical side business. In addition to the identifying captions, Garczynski contributes a table of descriptive information about each breed at the beginning. This includes to-scale silhouettes that are helpful since all of the interior dogs are rendered the same size so that the transitions more or less match up. (Although the Yorkie’s stubby forelegs still make a peculiar mismatch with the lanky hind limbs of the Great Dane.) Also, each sturdy strip features a “personal” observation, such as the Dalmatian’s “I’m known for my distinctive spots. If I open my mouth, you’ll even see spots in there.” Aside from the note of condescension in the Shar-Pei’s claim that its tongue “was once thought to ward off evil spirits,” these last are at least innocuous and sometimes informative.
Dog lovers and young Dr. Moreaus alike will guffaw. (Novelty picture book. 6-8)Pub Date: Oct. 9, 2018
ISBN: 978-0-7892-1310-5
Page Count: 22
Publisher: Abbeville Kids
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Emmy Kastner ; illustrated by Emmy Kastner ‧ RELEASE DATE: Aug. 2, 2022
After a promising start, this autumnal offering ultimately disappoints.
Change is on the horizon for a trio of leaves at home in the branches of various trees in a park.
When the air grows chilly, Birch, Oak, and Maple all experience different emotions. Birch is optimistic and expectant, Oak is cautious and reluctant, and obstinate Maple feels left out as the other leaves change colors but she doesn’t. Illustrations rendered in acrylic gouache, colored pencil, and collage depict endearingly anthropomorphized leaves, with autumnal colors that pop. As the leaves learn more about fall from a pair of knowledgeable squirrels, Maple’s slow change to red is overshadowed by her impatience to join her friends. It’s only when she pulls herself free that she learns about the downside of fall—namely, the bottoms of boots, rain gutters, and rakes. Much like the shift from the bright crisp early days of autumn to the damp cold ones later in the season, it’s here that the story changes, going from a surprisingly nuanced examination of growth to something fluffy and less interesting. A young girl with straight black hair and tan skin finds the fallen leaves and takes them home, where she draws them as anthropomorphic characters, and all discussion of the importance of change is lost. Caregivers looking for a springboard to a discussion about growing up and the uncertainty of change may find this useful, but its sputtering ending detracts from its early momentum. Maybe next year will bring a more promising crop of leaves. (This book was reviewed digitally.)
After a promising start, this autumnal offering ultimately disappoints. (Picture book. 6-8)Pub Date: Aug. 2, 2022
ISBN: 978-0-358-41945-7
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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