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NEIL YOUNG NATION

A QUEST, AN OBSESSION (AND A TRUE STORY)

An ambling and chatty road trip journal that becomes a surprisingly meaningful rumination on getting old without fading away.

Vancouver novelist Chong (Baroque-A-Nova, 2002) hits the road with a few buddies to retrace Neil Young’s steps to rock stardom.

In 2004, Chong was nearing 30 and having a hard time with his second novel. He decided to stave off maturity a little longer by following the trail of fellow Canadian Young from Winnipeg to Thunder Bay and Toronto, then down to California. This “Wild Neil Chase,” Chong explains, “was cooked up on the fly, and with little premeditation.” Chong brought along a few buddies, including the gregarious welder Dave, “the one I could count on to shuck everything to eat Taco Bell and share a double bed with another dude.” After failing to secure a hearse for the trip (Young had a thing for hearses and made many fabled road trips in them), the friends, having renamed themselves “Team Crazy Horse,” amble across Canada, searching for the places Young lived and hung out (Chong occasionally interviews people with vague connections to the rocker). There is never any pretense that this trip is much more than a half-baked escape from responsibility, which actually allows the voyagers (and readers) to enjoy themselves. Chong has a self-deprecating wit that never gets too showy and a knack for the perfectly placed grace note.

An ambling and chatty road trip journal that becomes a surprisingly meaningful rumination on getting old without fading away.

Pub Date: Nov. 9, 2005

ISBN: 1-55365-116-2

Page Count: 256

Publisher: Greystone Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2005

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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