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HIDDEN EMPIRE

VOL. I OF THE SAGA OF SEVEN SUNS

Loyalists will leap aboard and groan with delight at a cliffhanger ending that arrives all too soon.

Anderson has keyboarded installments beyond number of the Star Wars, X-Files, and, with Brian Herbert, Dune series, hitting the bestseller lists, which he’s also hit in novels with L. Ron Hubbard, Doug Beason, the SF anthology Dogged Persistence (2001), and, most recently, a solo novel, Hopscotch (2002). Now he sets out to create an epic serial saga of his own, saying that his models come from Robert Jordan’s Wheel of Time epic fantasy series—and from Terry Brooks’s Shannara novels, which long ago kicked off the Ballantine Del Rey imprint and were indebted to Tolkien’s The Lord of the Rings. In Hidden Empire, humans are laggards in space exploration and development and find themselves assisted by the intelligent and advanced race of Ildirans, ruled by a Mage-Emperor. About 11 human generations ago, in the 1940s, the Ildirans discovered the empty cities of the insectlike Klikiss robots on the ice moons of Hyrillka. Now, in 2427, cosmo-archaeologists Margaret and Louis Colicos, who have dug through many lost civilizations, assemble the leaders of the Terran Hanseatic League to witness a discovery they’ve adapted from the Klikiss robot race that vanished 5,000 years ago: How to use the Klikiss Torch and turn a pastel globe of hydrogen gas five times the size of Jupiter into a small sun and, using its many moons, create a new solar system rife with commercial possibilities. But when they implode the ball of gas, a bad thing happens: the awakening of a formerly unknown race, the Hydrogues. Anderson thinks his story character-driven and has already keyboarded Book Two. We find it wondrously imagined and zip-driven in paper-thin rose.

Loyalists will leap aboard and groan with delight at a cliffhanger ending that arrives all too soon.

Pub Date: July 24, 2002

ISBN: 0-446-52862-5

Page Count: 432

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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