An action-packed story for young inventors with troubling gender treatment.
Letters written home from a futuristic camp record big doings.
Bold animation-style illustrations bring Camp C.R.E.A.T.E. and its Gadgets Galore Competition to life. One camper nicknamed Professor von Junk “gets an idea for a gadget so clever / that everyone wants to help put it together.” Everyone, that is, except the letter writer, who thinks “helping is nice, but I want to come up / with my own cool device.” Once the competition begins, the protagonist can’t even get into the crowded lab. Discouraged but resilient, the kid creates a separate lab and develops an invention that, sadly, seems only to work in reverse. But Professor von Junk’s invention has a major flaw, too, creating chaos. Luckily, the letter writer’s invention saves the day. On the final page, the victor is honored with the name Professor O’Toole. Readers might notice O’Toole’s stylized pigtails, but only by reading the jacket flap will readers confirm the narrator is a female named Trixie (O’Toole). Is this a subtle book about girl power? In the future, could scientific ability be viewed without regard to gender? Perhaps, but this story has only one other implied female camper (a ponytailed kid named Lovelace) plus stereotypical references to Trixie’s “cute little cabin” and glitter-decorated invention. Bafflingly, the rhyming text is not consistently set as such. All the campers are green humanoid children.
An action-packed story for young inventors with troubling gender treatment. (Picture book. 5-8)Pub Date: Sept. 10, 2019
ISBN: 978-1-250-19511-1
Page Count: 40
Publisher: Imprint
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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