A sweet-natured tale about negotiating sibling dynamics that is as comforting as a hug.

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BIG LITTLE BROTHER

Having a little brother, even one long wished for, does not always go as planned; the reality can be both a blessing and a trial.

Big Brother thought he would be in charge, but it turned out very differently. His little brother grew at an alarming rate, until he was taller and stronger, and people thought he was really the older one. Little Brother follows Big Brother everywhere, plays tricks on him and, worst of all, he touches all his toys. When Big Brother is bullied at the play center, he stands his ground, but it is the appearance of his big Little Brother that saves the day. Now all the annoying traits seem rather endearing, and they develop a mutually nurturing relationship. Big Brother tells his own story using vocabulary, sentence structure and syntax appropriate for a 4-year-old. There are no more than one or two sentences on each page, with occasional dialogue in bubbles. Kling does not overdramatize, and there’s nothing preachy to detract from the boys’ finding their own resolution. Monroe’s minimalist, boldly hued cartoons carefully and humorously depict the action. Big Brother’s emotional ups and downs are subtly expressed, while Little Brother mostly maintains an even-tempered smile.

A sweet-natured tale about negotiating sibling dynamics that is as comforting as a hug. (Picture book. 3-6)

Pub Date: Nov. 1, 2011

ISBN: 978-0-87351-844-4

Page Count: 48

Publisher: Borealis Books

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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