Young readers drawn by the gloriously toothy dinosaur posing on the cover of this tongue-in-cheek space opera may be astonished to discover that he’s the episode’s hero. Dispatched from Planet Jurassica to investigate a mysterious crash on a nearby moon, intrepid Captain Raptor (as in velociraptor) and his scaly crew weather a host of dangers—repeatedly punctuated by variations on “Could this be the end of Captain Raptor?”—before coming to the rescue of a stranded set of small, tail-less mammalian aliens. O’Brien illustrates the nonstop action in graphic-novel style, filling variously shaped panels with detailed scenes of colorful dinosaurs in retro body armor working riveted control panels, creeping through a jungle and similarly appropriate activities. In the end, Captain Raptor bids farewell to the grateful travelers from Earth and blasts off for some space exploration of his own. Readers not yet up to James Gurney’s “Dinotopia” tales will roar with approval. (Picture book. 6-8)
Pub Date: March 1, 2005
ISBN: 0-8027-8935-8
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...
Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.
Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.
Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91677-8
Page Count: 32
Publisher: HMH Books
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
Swinburne sets out to teach young children about how shadows are created, describing night as a shadow on the earth, and giving children tangible reasons for why shadows vary in size, shape, and location. The latter half of the book invites readers to guess the origins of the shadows in vivid full-color photographs; subsequent pages provide the answers to the mysteries. A foreword contains information regarding the scientific reasons for shadows, which can be explained to small children, but it is the array of photographs that truly invites youngsters to take a closer look and analyze the world around them with an eye for the details. (Picture book/nonfiction. 3-5).
Pub Date: Feb. 1, 1999
ISBN: 1-56397-724-9
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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