While this book doesn’t do anything new, it’s a shoo-in for lovers of dogs and humor: funny and charming.
A white child in a dress and a bow lectures readers about how to pick the perfect dog.
Portraits of different breeds of adorable dogs are the first (and last) things readers encounter in this ode to canines. The story begins as the young narrator tells readers that the family is about to get a dog, and of course, it should be perfect. Thus begins a pattern—“The perfect dog should be big... / bigger... // biggest! / Maybe not this big”—that continues throughout the book, substituting different adjectives and dog breeds to illustrate them: in this case, a chow chow, a German shepherd, a Saint Bernard, and a Great Dane, respectively. Use of various typefaces and fonts will help readers grasp the meanings of the adjectives and adds dramatic flair. Along with the varying dog breeds, the changes in adjectives are accompanied by changes in the narrator’s outfits. Playful chaos ensues in many spreads, adding humor to the general charm of the pooches. A page turn between the three escalating adjectives and the follow-up “maybe not” sentence would have added playful anticipation, but the pacing still generally works. By limiting backgrounds to two colors, O’Malley keeps the focus on the characters—and boy, are they full of character. The dogs are the true stars of this book, each with an immediately evident personality, though they’re all lovable. Sweetly, the perfect dog turns out to be the one who chooses the narrator.
While this book doesn’t do anything new, it’s a shoo-in for lovers of dogs and humor: funny and charming. (Picture book. 3-6)Pub Date: May 31, 2016
ISBN: 978-1-101-93441-8
Page Count: 40
Publisher: Crown
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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