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ENDANGERED DREAMS

THE GREAT DEPRESSION IN CALIFORNIA

A first-rate, vivid, verbal diorama of the varied events that formed and reformed California during the convulsive decade before WW II, from the state's librarian and author of Inventing the Dream (1985, etc.). While Starr hits virtually all of the high points of the Golden State's Depression-era history, he's careful to set the stage for his tellingly detailed vignettes. Before addressing the protracted labor strife that culminated in a bitter 1934 strike effectively won by Harry Bridges and his International Longshoremen's Association, the author traces the radical roots of California unions back to the IWW, which was challenging the agricultural establishment before the turn of the century. Likewise, in probing another Left/Right confrontation—a gubernatorial campaign narrowly lost by Upton Sinclair running on the EPIC (End Poverty in California) platform—Starr offers an accessible account of the muckraking writer's views on utopian socialism. While reactionaries and revolutionaries were literally battling for California's sociopolitical soul on the waterfront, in the fields, and at other barricades, many government agencies and voluntary organizations struggled to cope with the influx of refugees from the Dust Bowl and other states where tenant farmers had been displaced by tractors—the cross-country migration documented in art and literature by Dorothea Lange, John Steinbeck, and others. Nor does Starr ignore the public works, which he felicitously observes helped complete California (still a preindustrial venue in the 1930s). Among other marvels of civil engineering in state or out, he focuses on aqueducts (like Hetch Hetchy), bridges (Bay, Golden Gate), canals, dams (Boulder/Hoover), ports, and tunnels. Complete with anecdotal particulars and big-picture perspectives, a stunningly effective chronicle of a vanguard state's coming of age. (25 halftones, not seen)

Pub Date: Dec. 1, 1995

ISBN: 0-19-510080-8

Page Count: 480

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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