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NOTHING TO SEE HERE

A funny and touching fable about love for kids, even the ones on fire.

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Decades after an unforgivable trespass, two childhood friends are reunited in a most unusual arrangement.

Wilson is a remarkable writer for many different reasons, as demonstrated by his quirky novels, Perfect Little World (2017) and The Family Fang (2011), and tons of short stories. One of his greatest strengths is the ability to craft an everyday family drama and inject it with one odd element that turns the story on its head. He’s done it again here, writing once more about family but with some most unusual children and a particularly charming narrator. Back in the day, Lillian and Madison were besties at an elite boarding school, the former a smart scholarship student and the latter a quirky but spoiled rich girl. But when Madison got into trouble, privilege reared its ugly head, and Lillian was the one kicked out of school. Now grown, she spends her days at her dead-end job and her off hours getting stoned. Out of the blue, Madison reappears, now mother to her darling boy, Timothy, and the wife of a U.S. senator and budding political star. But the family is in a quandary over what to do with the senator’s twin children from a previous marriage, Bessie and Roland. Oh, and by the way, the twins spontaneously combust when they’re angry or upset. No harm comes to them, but clothes, houses, and anything else in their orbit can go up in flames. Lillian is offered a job looking after the twins for the summer until the fam can figure out what to do with the little fireballs. To her own surprise, Lillian turns out to be a terrific guardian, despite her own doubts. “They were me, unloved and fucked over, and I was going to make sure they got what they needed,” she affirms. The book’s denouement is a bit predictable, but Lillian develops into an engaging parental proxy in Wilson’s latest whimsical exploration of family.

A funny and touching fable about love for kids, even the ones on fire.

Pub Date: Nov. 5, 2019

ISBN: 978-0-06-291346-3

Page Count: 272

Publisher: Ecco/HarperCollins

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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KEEP QUIET

Very slow off the mark, though once blackmail and murder enter the picture, Scottoline moves things along with her customary...

In Scottoline’s latest family-centered thriller (Accused, 2013, etc.), Jake Buckman lets son Ryan drive the family car on a back road. Very bad idea.

The car hits someone, and she’s dead. Faced with the prospect of his teenager’s life being ruined, Jake tells him to get back in the car, and they drive away. “[D]on’t tell Mom,” Jake warns; he loves his wife, but Pam has the personality you’d expect of a superior court judge (judgmental), and their marriage is still recovering from Jake’s decision to start his own business, which has made him a mostly absentee husband and father. He’s now “one of the top-ten ranked financial planners in southeastern Pennsylvania,” though his planning skills aren’t evident as Jake ineptly tries to cover their tracks. He also has a terrible time keeping his son from confessing once they learn that the dead girl is Ryan’s high school classmate Kathleen Lindstrom. It takes more than 100 pages for the plot to involve anything other than Jake’s nerves, Pam’s suspicions and Ryan’s guilty wails, all of which are believable but not very interesting. Sleazy blackmailer Lewis Deaner livens things up, especially after he turns up murdered. If the police find those cellphone pictures Deaner had of Jake and Ryan at the scene of the crime, Jake will be a suspect. And once Ryan has blurted out the truth to his mother, furious Pam might be just as happy to see Jake in jail. The killer’s identity isn’t much of a surprise, since he’s the only character with any individual traits apart from the Buckmans and the cops, but the final twist comes out of nowhere, 10 pages from the end.

Very slow off the mark, though once blackmail and murder enter the picture, Scottoline moves things along with her customary professionalism, if scant credibility.

Pub Date: April 8, 2014

ISBN: 978-1-250-01009-4

Page Count: 352

Publisher: St. Martin's

Review Posted Online: March 1, 2014

Kirkus Reviews Issue: March 15, 2014

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THE VANISHING HALF

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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