by Kevin Wilson ‧ RELEASE DATE: May 13, 2025
Both family reunion and ghost story, even though neither quite comes to life.
Four previously unknown half siblings set out on a road trip in search of their long-absent father.
Madeline Hill finds her life exhausting, but mostly plentiful, having built her family’s little organic farm in Tennessee into a destination for foodies and families alike. But the chip on her shoulder comes rushing back when her half brother Reuben shows up in a PT Cruiser with a trunkful of family secrets about her deadbeat dad, Chuck Hill. Not the least of these is the fact that their father created and abandoned families four times in total, leaving behind kids who each followed in their father’s largely invented footsteps. Despite her reservations, Mad joins her brother—a sensitive, middle-aged crime writer who followed the path set by his dad, known as Charles Hill—on his ill-advised quest. In Oklahoma, they pick up their father’s other spitfire daughter, Pep, a championship basketball player raised by coach Chip Hill to never give up. Meanwhile, in Salt Lake City, they pick up Theron, called Tom, the 11-year-old son of a famous TV broadcaster mother, fathered by cameraman Carl Hill. Wilson’s quartet makes for an amiable if fairly milquetoast bunch, but their awkward bonding leans toward cringe rather than comfort. They finally do find their absentee father out West, but it’s more realization than revelation, mostly about the frailty of man and what it means to be a family. Wilson is positively masterful at quirky family dramas and many of the ingredients that have made his stories so popular are present here: an eclectic cast, a dash of absurdity, and complicated but very real family dynamics. Somewhere in his latest, though, some spice got missed and readers end up on a road to nowhere. “We’ve had our big family fight and now we’ve made up,” Pep says on the road. “That’s how it works, I think.”
Both family reunion and ghost story, even though neither quite comes to life.Pub Date: May 13, 2025
ISBN: 9780063317512
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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