The cliffhanger ending is merely an abrupt pause in the action—this chapter is essentially just scene-setting for the...

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THE HEIR

From the Selection series , Vol. 4

Cass’ bestselling Selection trilogy is now a series, with the fourth installment picking up 20 years after The One (2014).

Narrated by Eadlyn, the 18-year-old firstborn of King Maxon and Queen America and the next in line for the throne of Illéa, the tale perpetuates the same stiff dialogue and obvious premise of its predecessors, though there is a tiny twist to the latter. This time, it’s "The Bachelor meets The Hunger Games meets The Taming of the Shrew." Eadlyn is a practical princess, primarily concerned with preparing to one day rule the country. From the get-go, readers are bludgeoned with evidence that in her focus on leadership, she is too brusque and insensitive, both with the people closest to her and the wider national population. Her family makes the case that provincial unrest will be quelled if she would just stop being a ballbreaker, find a husband, and give the masses a distraction-cum-reason to love the monarchy again. “You can be brave and still be feminine…you can be queen and still be a bride,” her twin brother assures her. Thus is Eadlyn strong-armed into participating in a Selection of her own, and the broadly drawn novel is primarily concerned with setting up most of the contenders to be a 50-50 shot. After dispatching the low-hanging fruit, she winds up with a group of “loud, strange boys” who “all matter” to her.

The cliffhanger ending is merely an abrupt pause in the action—this chapter is essentially just scene-setting for the inevitable continuation(s). (Dystopian romance. 13 & up)

Pub Date: May 5, 2015

ISBN: 978-0-06-234985-9

Page Count: 368

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2015

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Skip this uninspired entry into the world of medieval love and court intrigue.

THE BETROTHED

From the Betrothed series , Vol. 1

In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.

The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.

Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)

Pub Date: May 5, 2020

ISBN: 978-0-06-229163-9

Page Count: 320

Publisher: HarperTeen

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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An emotionally engaging closer that fumbles in its final moments.

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ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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