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PUBLIC ENEMY #1

The novice investigator faces heat from both her case and the street in this fast-paced read.

A newly minted Virginia private eye gets her uncle’s help to investigate dirty cops in a case that rapidly goes off the rails.

Soon after leaving her TV reporting job to become a full-time private investigator in Norfolk, Khloé Mercer meets client Frances Larson at a Starbucks to hear what she wants. Frances is a Rihanna look-alike, apart from her obvious pregnancy, and her self-confidence raises Khloé’s hackles almost immediately. Her new client offers to pay Khloé $40,000 to find out what happened to her husband, Gavin, a narcotics detective who supposedly died by his own hand. Frances is certain that some dirty cops in the department did him in. Khloé’s not so sure. She’s sure about the dirty cops, though, because she runs into some as soon as she digs into the case. Since things seem dangerous, Khloé wants to make sure someone has her back, so she subcontracts with her uncle Eddie to help keep her safe. As a longtime member of the notorious gang Ace of Spades, Eddie has off-the-books connections Khloé doesn’t even want to know about. The investigation quickly heads south. Frances’ frequent calls to check on Khloé’s progress suggest that something’s just off, and Uncle Eddie gets sidetracked by shady dealings of his own. By the time Khloé starts to figure out what’s really going on, Uncle Eddie’s gone so off course that she’s got more to solve than just the mystery she started with.

The novice investigator faces heat from both her case and the street in this fast-paced read.

Pub Date: April 27, 2021

ISBN: 978-1-4967-2976-7

Page Count: 256

Publisher: Dafina/Kensington

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

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  • New York Times Bestseller


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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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ANATOMY OF AN ALIBI

This mystery’s promising premise bogs down in an overloaded cast.

When one woman takes on another’s identity to uncover a crime, they both become suspects in a murder.

Aubrey Price and Camille Bayliss come from different worlds, only crossing paths because of the discovery that Camille’s husband, powerful lawyer Ben Bayliss, is hiding something terrible that affects them both. As the novel opens, Aubrey is driving Camille’s Range Rover, then teetering into a bar on Camille’s high heels, with Camille’s dress and credit cards and a wig that mimics Camille’s hair, pretending to be her because Ben tracks his wife’s every move and expenditure, and Camille wants to create a smokescreen while she sneaks into his office in search of evidence of that unnamed secret. But the scheme goes awry, and the women become each other’s alibis after Camille finds Ben murdered in their home. The first part of the book builds suspense and misdirection well, with Aubrey and Ben’s straight-arrow partner, Hank Landry, serving as first-person observers in some chapters while others track Camille. She’s a wealthy and privileged woman but not a happy one, stuck under the thumbs of her husband and her tyrannical father, Randall Everett, who pretty much runs their small Louisiana town. Aubrey was orphaned as a teen when her parents died in a car crash and has proudly fended for herself ever since, coming to depend on her four roommates, who have become friends. But as the cast of characters grows, it seems as if almost everyone in town has a motive for killing Ben, and the piling up of suspects and movements among different timelines can sometimes be confusing. And it all comes to a frustrating end when, after a whole school of red herrings, the solution to Ben’s murder arrives out of far left field.

This mystery’s promising premise bogs down in an overloaded cast.

Pub Date: Jan. 13, 2026

ISBN: 9780593834459

Page Count: 352

Publisher: Pamela Dorman/Viking

Review Posted Online: Dec. 10, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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