Brooks offers an imperfect but insightful depiction of the choices individuals make in unbearable times.
It’s 1941, and the Jews of Europe are disappearing to the East or fleeing on ships that can find no safe harbor. This sophisticated first novel considers the response by Americans Jews to the ever more insistent evidence of racial conflagration across the Atlantic.
An inevitable cloud of despair hangs over this timely, psychologically questing debut, since the reader, like many of the book’s characters, already knows things will not end well. Brooks uses a handful of figures to express various responses of American Jews to the terrible news filtering out of Europe and the national reluctance to intervene. In Manhattan, firebrand Shmuel Spiro wants to raise a Jewish army to fight the Nazis; in upstate Utica, otherworldly rabbi Max Hoffman understands the hypocrisy behind America's refugee visa quotas and how high the bureaucratic bar is set; and Utica junkyard owner Abe Auer, a first-generation immigrant himself, remains haunted by his role in his Russian family’s history. While opposing factions argue and disagree at conferences about how to rescue Hitler’s victims, many middle-class Jews like Abe’s wife and daughter find their comfortable lifestyles largely undisrupted. Then a refugee arrives, an atypical one—glamorous, unsettling Yiddish actress Ana Beidler. Mature in tone and unhurried in pace, Brooks’ novel is at its best in its portraits of unhappy men confronted by cataclysmic events in the world and unexpressed longings at home. Its dramatic fulcrum, however, is the book’s weakness. Ana, blessed with irresistible allure and a burned-out attitude, is a more familiar character—the disruptive seductress—than the troubled men in Utica and New York. Her actions may be central to the novel’s development, yet it’s a more compelling and original book in the scenes without her.
Brooks offers an imperfect but insightful depiction of the choices individuals make in unbearable times.Pub Date: April 12, 2016
ISBN: 978-1-61902-605-6
Page Count: 356
Publisher: Counterpoint
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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