by Kim Chinquee ‧ RELEASE DATE: Oct. 31, 2022
A quiet, fragmentary novel about the chaos roiling beneath life’s surface.
Awards & Accolades
Our Verdict
GET IT
A woman confronts her personal demons against the backdrop of the Covid-19 pandemic in Chinquee’s novel in flash fiction.
Elle appreciates order. She’s an Air Force vet with an adult son (who is currently serving in the military himself) and lives in Buffalo with her partner, the fitness-obsessed Henry, and their four dogs. She teaches fiction writing at a local college. She jogs. She tries to learn to ski, though she finds it exhausting and terrifying. In therapy, she explores her relationship with her late father and the ways his schizophrenia affected their relationship. She also consults her spirit guide—whom she imagines as a man in a beret—who helps her reconnect with her memories of childhood. Henry’s emerging Trumpism proves a strain on the relationship—one that gets even worse when he loses his job at a car dealership. Henry kicks Elle out of the house they share, and immediately after she moves into a new neighborhood, Covid hits. In this new life of isolation, Elle adjusts her priorities. “The mattress in the guestroom is comfy, and the frame is broken, so the mattress just sits on the floor…Sometimes I fall asleep to the TV. Some nights I get up and go to the master bedroom, which is clean and organized. Most nights I fall asleep in one bed, wake in the night and move to the other.” As the pandemic wears on, she confronts her troubled relationships with the now-dead men in her family—her father, her uncle, her paternal grandfather—as well as her attachment to dogs and her compulsion to stay in shape. But will greater self-understanding require her to relax her grip on the ordered life she’s long struggled to build?
Chinquee’s measured prose breaks over the reader like shallow, slow-moving waves. Here, Elle jogs in the early days of the pandemic: “The park is pretty bare now. I miss the bustle of bikers, children, people on the golf course. There’s a zoo on one portion of the park and I see some cars there. The zoo is closed. I breathe and take my steps. I opt for another loop. My legs feel heavy. My heart feels heavy. My lungs are pretty healthy.” The novel unfolds as a series of flash fiction stories, most less than a page long, each with its own title. The reading experience is not so different than that of an autofiction novel—The Department of Speculation (2014) by Jenny Offill and The End of the Story (1995) by Lydia Davis come to mind. The narrative unfolds slowly through the accumulation of trivial details: the positions of the dogs on the couch, the exercises Henry is doing, the meals Elle makes with her Vitamix. Chinquee’s moves are oblique, and they often take Elle and the reader away from the most engaging material in favor of the mundane. In doing so, however, the novel replicates a bit of what it’s like to repress or avoid or deny one’s personal issues, sprinting (or biking or skiing) ever forward in hopes our problems can be outrun.
A quiet, fragmentary novel about the chaos roiling beneath life’s surface.Pub Date: Oct. 31, 2022
ISBN: 978-1-73691-690-2
Page Count: 140
Publisher: Ravenna Press
Review Posted Online: Oct. 21, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Review Program: Kirkus Indie
Share your opinion of this book
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Awards & Accolades
Likes
95
Our Verdict
GET IT
New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Share your opinion of this book
More by Kathryn Stockett
BOOK REVIEW
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
Awards & Accolades
Likes
448
Our Verdict
GET IT
New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Share your opinion of this book
More About This Book
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.