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PIPETTE

A quiet, fragmentary novel about the chaos roiling beneath life’s surface.

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A woman confronts her personal demons against the backdrop of the Covid-19 pandemic in Chinquee’s novel in flash fiction.

Elle appreciates order. She’s an Air Force vet with an adult son (who is currently serving in the military himself) and lives in Buffalo with her partner, the fitness-obsessed Henry, and their four dogs. She teaches fiction writing at a local college. She jogs. She tries to learn to ski, though she finds it exhausting and terrifying. In therapy, she explores her relationship with her late father and the ways his schizophrenia affected their relationship. She also consults her spirit guide—whom she imagines as a man in a beret—who helps her reconnect with her memories of childhood. Henry’s emerging Trumpism proves a strain on the relationship—one that gets even worse when he loses his job at a car dealership. Henry kicks Elle out of the house they share, and immediately after she moves into a new neighborhood, Covid hits. In this new life of isolation, Elle adjusts her priorities. “The mattress in the guestroom is comfy, and the frame is broken, so the mattress just sits on the floor…Sometimes I fall asleep to the TV. Some nights I get up and go to the master bedroom, which is clean and organized. Most nights I fall asleep in one bed, wake in the night and move to the other.” As the pandemic wears on, she confronts her troubled relationships with the now-dead men in her family—her father, her uncle, her paternal grandfather—as well as her attachment to dogs and her compulsion to stay in shape. But will greater self-understanding require her to relax her grip on the ordered life she’s long struggled to build?

Chinquee’s measured prose breaks over the reader like shallow, slow-moving waves. Here, Elle jogs in the early days of the pandemic: “The park is pretty bare now. I miss the bustle of bikers, children, people on the golf course. There’s a zoo on one portion of the park and I see some cars there. The zoo is closed. I breathe and take my steps. I opt for another loop. My legs feel heavy. My heart feels heavy. My lungs are pretty healthy.” The novel unfolds as a series of flash fiction stories, most less than a page long, each with its own title. The reading experience is not so different than that of an autofiction novel—The Department of Speculation (2014) by Jenny Offill and The End of the Story (1995) by Lydia Davis come to mind. The narrative unfolds slowly through the accumulation of trivial details: the positions of the dogs on the couch, the exercises Henry is doing, the meals Elle makes with her Vitamix. Chinquee’s moves are oblique, and they often take Elle and the reader away from the most engaging material in favor of the mundane. In doing so, however, the novel replicates a bit of what it’s like to repress or avoid or deny one’s personal issues, sprinting (or biking or skiing) ever forward in hopes our problems can be outrun.

A quiet, fragmentary novel about the chaos roiling beneath life’s surface.

Pub Date: Oct. 31, 2022

ISBN: 978-1-73691-690-2

Page Count: 140

Publisher: Ravenna Press

Review Posted Online: Oct. 21, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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