THE TERRIBLE, WONDERFUL TELLIN' AT HOG HAMMOCK

Living on a remote island in the marshes of coastal Georgia, Jonas is looking forward to the big storytelling, a gathering of all the islanders. But with his beloved grandfather recently dead and the rest of the men of his family working on the mainland, it falls to Jonas to represent the family by telling a story. As the event approaches, Jonas feels a mixture of dread and longing, hoping he'll be able to follow in his grandfather's footsteps. Turning the pages of this book is like entering another world, one of salt marshes, shrimp nets, and spirits. The sense of place is palpable; just as vivid is the the feel of the heat, the smell of the gumbo. Along the way readers get a few tales, tantalizing snatches of the Gullah language, and a snapshot of another way of life. A simple story that somehow seems to fill the senses. (b&w illustrations, not seen) (Fiction. 7-10)

Pub Date: June 30, 1996

ISBN: 0-06-024877-7

Page Count: 85

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1996

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TOMAS AND THE LIBRARY LADY

A charming, true story about the encounter between the boy who would become chancellor at the University of California at Riverside and a librarian in Iowa. Tom†s Rivera, child of migrant laborers, picks crops in Iowa in the summer and Texas in the winter, traveling from place to place in a worn old car. When he is not helping in the fields, Tom†s likes to hear Papa Grande's stories, which he knows by heart. Papa Grande sends him to the library downtown for new stories, but Tom†s finds the building intimidating. The librarian welcomes him, inviting him in for a cool drink of water and a book. Tom†s reads until the library closes, and leaves with books checked out on the librarian's own card. For the rest of the summer, he shares books and stories with his family, and teaches the librarian some Spanish. At the end of the season, there are big hugs and a gift exchange: sweet bread from Tom†s's mother and a shiny new book from the librarianto keep. Col¢n's dreamy illustrations capture the brief friendship and its life-altering effects in soft earth tones, using round sculptured shapes that often depict the boy right in the middle of whatever story realm he's entered. (Picture book. 7-10)

Pub Date: Aug. 1, 1997

ISBN: 0-679-80401-3

Page Count: 32

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2000

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