Not Robinson’s (New York 2140, 2017, etc.) strongest work, but not without interest, either.
The murder of a Chinese politician on the moon in the mid-21st century sends a mismatched couple on the run and signals a looming crisis on Earth.
American Fred Fredericks is delivering a secure quantum-entangled phone to Chang Yazu, chief administrator of the Chinese Lunar Authority, but the two have barely shaken hands when Chang slumps to the ground, dead by poison. The confused Fred is accused of the crime, a pawn in a power struggle among various Chinese government factions, who also seek control of Chan Qi, the pregnant daughter of a top party official and the leader of a migrant workers rights movement. The two bounce between the Earth and moon and back in search of a safe refuge, aided at times by poet and “cloud star” Ta Shu, a friend of Peng Ling, the strong contender to become China’s first woman president. The title initially seems like a call back to the first entry in Robinson’s terraforming trilogy, Red Mars, but while the lunar landscape is a source of beautifully described detail and the lower gravity acts as obstacle and asset, this is not a hard sci-fi novel. Rather, it’s a political thriller where the moon is a backdrop and game piece for both China and the United States, two powerful nations facing significant political and economic unrest. A white man writing about Chinese politics and mainly Chinese characters could seem questionable in a publishing milieu that still lacks sufficient diverse voices; all one can say is that as per usual for Robinson, it seems well-researched. It is unfortunate that Chan Qi’s primary qualities are being pregnant and cranky; while tough and passionate, there’s little sign of the charisma typically associated with a populist leader. The more well-rounded Ta Shu is still mostly a plot device: He writes the occasional profound-seeming poem, but he’s mainly there to rescue our heroes at various moments and provide the author’s desired infodumps on physics and Chinese politics. Fred Fredericks (the white man) is the most intriguingly drawn character. While no explicit diagnosis is given, the author offers a vivid and relatively plausible depiction of a man on the spectrum, with social difficulties and a sensory processing disorder.
Not Robinson’s (New York 2140, 2017, etc.) strongest work, but not without interest, either.Pub Date: Oct. 23, 2018
ISBN: 978-0-316-26237-8
Page Count: 480
Publisher: Orbit
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Sharp, funny and thrilling, with just the right amount of geekery.
When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
PROFILES
SEEN & HEARD
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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