by Kim Zarins & illustrated by Emily Arnold McCully ‧ RELEASE DATE: Aug. 15, 2012
The earnest puppy doesn’t chart any new territory, but cute little ones who want to be helpful like the big guys have a...
A simple, old-fashioned story about a puppy adjusting to life on a family farm is complemented by sweetly nostalgic watercolor illustrations from Caldecott Medalist McCully.
The unnamed male beagle puppy wants a job on the farm like the other, more mature animals. He tries to crow like the rooster, push the farm wagon like the ox and chase mice like the barn cat. He realizes that he can’t lay eggs like the hens or carry people like the horse. A female farmhand (who looks rather like a clown in costume, minus white greasepaint) tells the puppy he can’t make milk because he is a male. At last, the puppy hears a familiar whistle as his young owner arrives home from school. For the rest of the day, the boy and the puppy play together, until the boy’s mother tucks her son and his dog into bed together; then, she describes the puppy’s contribution as love for the family. The short text, simple plot and amusing illustrations make this a fine choice for preschoolers who are just transitioning into real stories.
The earnest puppy doesn’t chart any new territory, but cute little ones who want to be helpful like the big guys have a natural and enduring appeal to the preschool set. (Picture book. 3-7)Pub Date: Aug. 15, 2012
ISBN: 978-0-8234-2318-7
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by James Luna & illustrated by Laura Lacámara & translated by Carolina Villarroel ‧ RELEASE DATE: Nov. 30, 2010
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by James Luna ; illustrated by Monica Barela-di Bisceglie ; translated by Gabriela Baeza Ventura
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edited by Kurt Schweigman Lucille Lang Day introduction by James Luna
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