by Kim Zetter ‧ RELEASE DATE: Nov. 11, 2014
Governments, hackers and parties unknown are launching ticking computer time bombs every day, all coming to a laptop near...
Iran’s nuclear program spills out into the world’s computers in this true techno-whodunit by Wired senior reporter Zetter.
In the weird world of atomic policing, international agencies have only limited access to information under the best of circumstances—and still more limited when the regime is secretive. When Iran began to replace components at an unusually fast pace a few years ago, inspectors noticed. They had no way of knowing why, and the Iranians weren’t talking, but the cause was devilish: “Months earlier…someone had quietly unleashed a destructive digital warhead on computers in Iran…to sabotage Iran’s uranium enrichment program and prevent President Mahmoud Ahmadinejad from building a nuclear bomb.” That “someone” is the object of Zetter’s quest, and it would spoil her fun to tell who it turned out to be. Suffice it to say that, as she notes, there’s a whole Pandora’s box effect to the business of digital warfare and that once the identity of the aggressor was established, it became difficult for that party to cry out in moral aggrievement when other parties began to unleash similar warheads. Zetter writes lucidly about mind-numbingly technical matters, reveling in the geekery of malware and espionage, and she takes the narrative down some dark electronic corridors, as when she describes the deployment of a hidden Trojan horse designed to harvest transactional information specifically from Lebanese banks suspected of being involved in laundering Iranian funds. Readers don’t have to know steganography from a stegosaurus to follow the discussion, though some programming background is surely of help in following some of the more arcane details.
Governments, hackers and parties unknown are launching ticking computer time bombs every day, all coming to a laptop near you. Zetter’s well-paced study offers a sharp account of past mischief and a glimpse of things to come.Pub Date: Nov. 11, 2014
ISBN: 978-0770436179
Page Count: 304
Publisher: Crown
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Kim Zetter
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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