This parable of friendship and the spiritual strength it provides will please devotees of the Reverend Black series, but...
When her husband of 12 years slides into bed at 5 a.m., Celine is stunned. So begins this woman’s journey through a valley of shadows.
Roby (The Ultimate Betrayal, 2015, etc.) returns with another tale about a member of the Rev. Curtis Black’s Deliverance Outreach congregation. Celine Richardson has spent the last five years building her own online social media marketing business. Instead of reaping the benefits of her hard work, she discovers that her marriage has fallen apart. Keith claims he's tried to talk to her about her emotional neglect; he says she's poured all her energy into her work and into their 10-year-old daughter, Kassie. What did she expect? Of course he’s drifted away. Celine doesn’t have much time to puzzle out Keith’s behavior because she's also discovered a lump in her left breast, which sends her through a medical ordeal. With Keith absent, Celine’s brother, Jackson, and her best friend, Lauren, step up, driving Celine to her surgery and radiation treatments and sheltering Kassie from the worst of her mother’s illness. Breast cancer, ironically, gives Celine a small respite from fretting about her marital woes. Given time to reflect, Celine regrets judging other jilted women, she regrets neglecting Keith, she worries about Kassie’s future, and she worries about the fate of her marriage vows. Yet her thoughts skate quickly, never lingering long enough to answer her own questions: what had she done to deserve such emotional pain? How had she missed Keith’s treachery? Roby lightly traces Celine’s travails, skimming the surface of what could be rather deep emotional terrain. Instead, Lauren, gospel music, prayer, and Scripture offer Celine easy solace.
This parable of friendship and the spiritual strength it provides will please devotees of the Reverend Black series, but it's too slight to garner new fans.Pub Date: Jan. 5, 2016
ISBN: 978-1-4555-2608-6
Page Count: 192
Publisher: Grand Central Publishing
Review Posted Online: Oct. 21, 2015
Kirkus Reviews Issue: Nov. 1, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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