Soulful, meditative, and sad—but marred by an improbable final twist.
In a desperate move to keep his child, a father goes off the grid.
Finch and her father, Cooper, (not their real names) have spent eight years—Finch’s entire childhood so far—occupying a remote cabin on a large swatch of forested land in an unidentified, presumably northern state. Grant’s second novel sets out to explore how they got there and how they might get out. This chronicle of life in a rustic dwelling with no indoor plumbing and no electricity is an engrossing lesson in survivalism. Cooper and Finch’s whereabouts are known to only two people: their reclusive neighbor, known as Scotland, and the cabin’s owner, Jake, Cooper’s buddy from a tour of duty in Afghanistan. (Jake was severely wounded by an IED but survived thanks to Cooper.) Once a year, Jake brings supplies, and when the novel opens, father and daughter await his imminent visit. They are fugitives from a system that would have taken Finch, then an infant, away from Cooper after Cindy, his wife-to-be and Finch's mother, died in a car crash. Cindy’s parents always considered Cooper beneath her. Effectively orphaned, Cooper was raised by a loving but eccentric aunt, and the Army was his sole hope of bettering himself. Finch's thoroughly unsympathetic maternal grandparents enlisted social services to remove her from Cooper's care. How Cooper managed to extract Finch is the major delayed reveal, while Jake’s failure to appear with his delivery is the plot’s inciting nonincident. A trip to a faraway Walmart is a huge risk but necessary—winter is coming. Scotland has had an unnerving habit of stealthily stopping by. Finch has bonded with Scotland (also a veteran, of Vietnam), but his motives seem suspect. With the arrival, separately, of two strangers, the challenge of disappearing in today’s world becomes starkly apparent, as does the flimsiness of the novel’s premise.
Soulful, meditative, and sad—but marred by an improbable final twist.Pub Date: Oct. 26, 2021
ISBN: 978-1-2507-9339-3
Page Count: 288
Publisher: Minotaur
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
