This is Kingsley Amis as you know him best (after Lucky Jim and before The Green Man) in which via a fatcat Englishman, Sir Roy Vandervane, he manages to strafe the scene with an exactitude of eye and ear which is infallibly and fractiously funny. And you cannot question his prophylactic purpose as he manages to lay it all out even where storywise he doesn't manage to get it together — whether it's murky, trendy pubs and discotheques, or decor, or apparel on and off Carnaby Street, or speechways ("you old buhg") or politics, or sex. It's sex which really starts this going since Sir Roy, an arrantly assured and aging shag and a popular conductor, is making it with girls who are getting younger at half the rate he's getting older — he has tired of his wife and "normal, decent God-fearing sex." Then there's Douglas, a younger man, who's retained by Sir Roy's wife to do something about it although he's also being used by Roy as a go-between — with Penny who's their daughter who's involved with a black man and without Vivienne who is Douglas' current girl, etc. And so it goes, with some of the too convenient switches which make the novel no more than a vehicle for its cultural commentary and basically moral intention. Thus the comic effects and comic they are become purely pleasurable perquisites — like Penny when she is handed over to Douglas — as attractive a prospect as "the free offer of a new and prodigious set of hi-fi equipment.
Pub Date: Jan. 12, 1971
ISBN: 0671671200
Page Count: 253
Publisher: Harcourt Brace Jovanovich
Review Posted Online: March 17, 2012
Kirkus Reviews Issue: Jan. 1, 1971
Categories: LITERARY FICTION
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Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.
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A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.
“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.
Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.Pub Date: Aug. 14, 2018
ISBN: 978-0-7352-1909-0
Page Count: 384
Publisher: Putnam
Review Posted Online: May 15, 2018
Kirkus Reviews Issue: June 1, 2018
Categories: LITERARY FICTION
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BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.
Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.Pub Date: May 1, 2001
ISBN: 0-399-14861-2
Page Count: 384
Publisher: Putnam
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 2002
Categories: LITERARY FICTION
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