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STEPPIN’ ON A RAINBOW

All right, all right: The mystery, as usual in this waggish series (The Mile High Club, 2000, etc.), is no more substantial...

Now that his Vandam Street Irregulars are all out of town—Stephanie DuPont’s in Nassau, Ratso Sloman in Montauk, Steve Rambam in Israel, Mike McGovern in Hawaii collecting recipes for his new cookbook Eat, Drink, and Be Kinky—is it finally time for Kinky Friedman to get a life of his own? Of course not. A pair of phone calls—the first from beekeeper-turned-newspaperman Willis Hoover reporting McGovern’s sudden disappearance from a Waikiki beach, the second including McGovern’s trademark distress signal—“MIT!—MIT!—MIT!”—announces that McGovern’s indeed a Man in Trouble, and that Kinky and the returning Stephanie have to get megamillionaire John McCall to fly them and Stephanie’s pain-in-the-neck dogs to the islands. The good news is that McGovern’s mayday strongly suggests that he’s not dead; certainly he’s not the corpse the Hawaiian authorities identify as his. Nor is a mental inmate in the institution Kinky and his diminished forces visit, or the kidnap victim a pair of low-level thugs try to ransom. But if McGovern’s in no danger, what’s his connection to the vanishing years ago of a pair of priceless Island relics, and the current vanishing of investigative reporter Carline Ravel?

All right, all right: The mystery, as usual in this waggish series (The Mile High Club, 2000, etc.), is no more substantial than peach fuzz. This time, though, Kinky’s patter is disappointingly thin too. As he’d be the first to admit, he needs his posse, or at least his cat, rather than a row of Penis Coladas to bounce off his peerless non-sequiturs.

Pub Date: Sept. 1, 2001

ISBN: 0-684-86487-8

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2001

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THE LAST BREATH

Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to...

A small Tennessee mountain town is awash in sex and scandal in Belle’s first novel.

Gia Andrews, a disaster relief worker, is also a convicted murderer’s daughter. Her father, Ray, was convicted of killing his wife and Gia’s stepmother, Ella Mae, and sentenced to life in prison. But Ray is dying, and prison officials are releasing him on compassionate grounds; Gia’s uncle Cal, a prominent lawyer, has recruited her to return home from Kenya to care for her dad in his home in Rogersville. Despite the fact that she hasn’t seen her father since she left many years ago, she returns, believing her brother, Bo, and sister, Lexi, will help her, but she finds that neither wants anything to do with their father. Her nearest allies turn out to be the home-care worker Uncle Cal has hired, Fannie, and the new man she meets, a bar-and-grill owner named Jake. When Gia meets a law professor planning to write a book about wrongful convictions, he tells her he believes Ray didn’t kill Ella Mae and that Cal, who was Ray’s attorney, didn’t mount much of a defense. After looking into these allegations, Gia discovers her stepmother had an affair with another man and wonders whether her father could be innocent after all. While trying to unravel the mystery of who really killed Ella Mae, things heat up between Gia and Jake, and suddenly the mystery takes a whole new direction. Belle’s a smooth writer whose characters are vibrant and truly reflect the area where the novel is set, but the plot—while clever—takes a back seat to Gia’s and Ella Mae’s separate, but equally steamy, sexual exploits.

Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to develop.

Pub Date: Sept. 30, 2014

ISBN: 978-0-7783-1722-7

Page Count: 400

Publisher: Harlequin MIRA

Review Posted Online: Aug. 12, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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MONUMENT ROCK

The late (d. 1988), leathery, awesomely unstoppable (over 100 books still in print) L’Amour, still producing fluently from his grave (End of the Drive, 1997), offers one more gathering of unpublished tales, proving again that great writing laughs at death. Showing sheer contempt for slow openings, L’Amour’s seven newly discovered short stories offer some breath-catching first paragraphs echoing with the cold steel click of a Colt .45 hammer being cocked. The lead story, “The Man from Utah,” polishes L’Amour’s walnut prose to its glossiest grain. Bearing a fearsome reputation as a gunfighter, Marshall Utah Blaine arrives in Squaw Creek to investigate 14 recent murders (three were marshals) by a cunning bandit masquerading as an upright citizen. By a process of deduction, the shrewd Blaine narrows his suspects down until he has the killer. “Here Ends the Trail” opens with a High L’Amouresque Miltonic Inversion: “Cold was the night and bitter the wind and brutal the trail behind. Hunched in the saddle, I growled at the dark and peered through the blinding rain. The agony of my wound was a white-hot flame from the bullet of Korry Gleason.” This builds to an explosive climax that mixes vengeance with great-heartedness. “Battle at Burnt Camp,” “Ironwood Station” and “The Man from the Dead Hills” all live up to the melodrama of their blue-steel titles. “Strawhouse Trail” opens memorably with the line: “He looked through his field glasses into the eyes of a dying man.” And never lets up. The title novella tells of Lona Markham’s unwilling engagement to six-foot-five, 250-pound, harsh-lipped Frank Mailer, who has “blue, slightly glassy eyes.” Will Lance Kilkenny, the mysterious Black Rider, save her from indestructible Mailer? Stinging stories of powerful men against landscapes you can strike a match on.

Pub Date: May 11, 1998

ISBN: 0-553-10833-6

Page Count: 260

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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