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WHITE ROSE

Real events made deeply personal in an intense, bone-chilling reading experience.

Sophie Scholl was a young German student who wanted to see the end of Hitler and the Nazi regime. She gave her life for that cause.

As children, Sophie and her brother Hans were enthusiastic members of Hitler Youth organizations. But as the Nazis’ chokehold increased and the roundups and arrests of dissenters and Jews escalated, they became determined to resist. After conscription into the National Labor Service, Hans, Sophie, and trusted university friends formed the secret White Rose resistance group. Hans began to compose treasonable leaflets, promoting an uprising against Hitler. Sophie helped get the leaflets out to influential people as well as to other university students. Their work attracted the attention of Nazi sympathizers, who informed the Gestapo of suspicious activities—and they were ultimately caught by a university custodian. Intensive interrogation and imprisonment, followed by a sham trial led by a fanatical judge, led to the sentence of death by guillotine. Organized in repeated sections that move forward and backward in time, readers hear Sophie’s thoughts in brief, pointed, free-verse poems in direct, compelling language. Other poems give voice to individuals such as her boyfriend, Fritz, who served in the German army, and the Gestapo interrogator, adding to readers’ understanding of the inevitability of the outcome and the tragic futility of their sacrifice.

Real events made deeply personal in an intense, bone-chilling reading experience. (dramatis personae, glossary, author’s note, sources) (Verse historical fiction. 12-adult)

Pub Date: April 2, 2019

ISBN: 978-1-328-59443-3

Page Count: 368

Publisher: Versify/HMH

Review Posted Online: Jan. 7, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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LONG WAY DOWN

This astonishing book will generate much needed discussion.

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • Newbery Honor Book

After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.

Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.

This astonishing book will generate much needed discussion. (Verse fiction. 12-adult)

Pub Date: Oct. 17, 2017

ISBN: 978-1-4814-3825-4

Page Count: 320

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 1, 2017

Kirkus Reviews Issue: July 15, 2017

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