A smart and engaging literary thriller that bears down too hard on its themes.
At the home of an eccentric millionaire, a woman discovers out-of-the-ordinary events.
When her husband is invited to finish writing his book at the island home of a reclusive millionaire, Anna is relieved: If he sells it, they’ll be able to keep their Bronx apartment and she won’t have to go back to work at the laundry. It’s 1918, and Charles Fort—based on a real-life figure—is hard at work on a book about unexplained phenomena, such as objects falling from a clear sky: frogs, for example, or even bits of flesh, or blood. If Anna has doubts about the legitimacy of his research, she keeps them to herself. In any case, when the millionaire Claude Arkel offers the couple a place to stay for the winter, they eagerly accept. Almost immediately, though, things seem to be off. Arkel runs a school for wayward girls, and three students are missing. Meanwhile, there’s no sign of Arkel himself, and with the Spanish flu raging in the outside world, the Forts are stuck in quarantine. Bakis’ latest novel has the pacing and suspense of a smart literary thriller: It’s almost impossible to put down once you’ve started it. But Bakis can be heavy-handed in her treatment of the themes that undergird her story—in this case, women who support ambitious men. That’s not to say Bakis’ case doesn’t hold water, but she strikes the same note again and again in a way that is more repetitive than satisfying. So, for example, when the Forts first arrive on Arkel’s island, and Charles observes that the grand house is “modeled on the Château de Chambord in the Val de Loire” and Anna responds, “I know, I’m the one who showed you the article,” the mansplaining moment isn’t nearly as funny as it was apparently intended to be; it's just frustrating, in a teeth-grinding way.
A smart and engaging literary thriller that bears down too hard on its themes.Pub Date: Feb. 20, 2024
ISBN: 9781324093534
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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