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LIVES OF THE MONSTER DOGS

New York is colonized by giant talking canines in newcomer Bakis's wry variation on the traditional shaggy dog story. Imagination is the key here. We need to understand that at the end of the 19th century a crazed German biologist named Augustus Rank performed a succession of medical experiments that resulted in a weird genetic mutation of his subjects and created a race of ``monster dogs''—giant rottweilers and Dobermans who can speak and walk on their hind legs. After living for more than a hundred years in the seclusion of a remote Canadian settlement called Rankstadt, they are forced to move in the year 2008 to New York (where 150 of them take up residence at the Plaza Hotel) when Rankstadt is destroyed. In their 19th-century garb—Prussian military uniforms for the ``men,'' bustles for the ``women''—they cut impressive figures on the streets of Manhattan, where they quickly become celebrities and philanthropists. At Christmas they parade down Fifth Avenue in sleighs, and shortly after their arrival they construct an enormous Bavarian castle on the Lower East Side. When an NYU coed named Cleo Pira writes about them for a local newspaper, the dogs adopt her as their spokesperson and bring her into the inner life of their society. From Cleo's perspective the dogs are benign, quaint, and deeply tragic, and the more fascinated she becomes by their history—both as they relate it to her and as she discovers it for herself through Rank's own archives—the darker and more doomed their society appears. By the time Cleo has learned the secrets contained in Rank's past, it's too late to save his descendants, who have unknowingly brought about their own destruction. Serious enough, but also funny and imaginative: a vivid parable that manages to amuse even as it perplexes and intrigues.

Pub Date: Feb. 1, 1997

ISBN: 0-374-18987-0

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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