The gold-leaf golden leaf could easily be a gimmick, but understated, intentional design causes the book to rise above...
A golden leaf becomes a bone of contention in a springtime wood.
In the spring, shades of green are everywhere: “jungle green, laurel green, moss green, mint green, pine green, avocado green, and, of course, sap green”—and one golden leaf. When the animals notice it, each wants it “more than anything else in the world.” A warbler picks it, but then a chipmunk steals it, only to lose it to a mouse, who in turn surrenders it to a deer, before a fox snatches it. By this time the increasingly tattered leaf has been torn apart. Through summer and fall and into winter, the animals go about their lives, and when spring and all its greens returns again—along with that one golden leaf—they all know better than to try to claim it: “Their happiness was that it had come back to them after all.” Hall’s story is luscious in its use of language, if a bit abrupt in an early transition, and the lesson, while clear, is lightly applied. There is lots of room for Forsythe’s illustrations to shine—literally, as the golden leaf is rendered in gold leaf. It stands out startlingly against his soft-edged illustrations, which have the warm and comforting look of lithographs. Great painterly swaths of color background the serial theft of the leaf, causing its increasingly tattered state to be ever more apparent.
The gold-leaf golden leaf could easily be a gimmick, but understated, intentional design causes the book to rise above that—lovely . (Picture book. 4-7)Pub Date: May 16, 2017
ISBN: 978-1-59270-214-5
Page Count: 48
Publisher: Enchanted Lion Books
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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