Weiss trades down from a focus on her characters’ personal lives to something more plot-driven, diminishing the charm of her...

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PRESSED TO DEATH

The curator of a most unusual museum tries to prove she’s innocent of murder when the original owner of her latest exhibit winds up dead.

San Benedetto Detective Laurel Hammer’s grudge against Madelyn Kosloski, which goes all the way back to high school, flared up again quite recently when Maddie accidentally set Laurel’s hair on fire in the name of crime solving. So it’s no surprise to Maddie that Laurel has it in for her, even going so far as to confiscate a grape press Maddie bought to display at the local Harvest Festival. This isn’t just any grape press, but a verified haunted one, a perfectly fitting addition to the booth highlighting Maddie’s business, the Paranormal Museum. Laurel’s claim that the press is stolen forces Maddie to trace the provenance from the original owner, Romeo Paganini. Almost as soon as she starts to look for Romeo, Maddie finds him, or at least his body. Not only will Maddie never prove her innocence of the grape press theft, but now Laurel’s determined to arrest her for Romeo’s murder. And Maddie’s allies are few. Her overbearing mother insists that Maddie personally investigate Romeo’s death, and Maddie’s boyfriend, Mason, is nowhere to be found. But Maddie finds a surprising friend in her part-time employee, Leo, who also happens to be Romeo’s estranged son. So close do the two of them grow, in fact, that Maddie’s friends soon wonder if her relationship with Leo is making her forget that he’s a viable suspect in his father’s death.

Weiss trades down from a focus on her characters’ personal lives to something more plot-driven, diminishing the charm of her series debut (The Perfectly Proper Paranormal Museum, 2016).

Pub Date: March 8, 2017

ISBN: 978-0-7387-5031-6

Page Count: 336

Publisher: Midnight Ink/Llewellyn

Review Posted Online: Dec. 19, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

THE INSTITUTE

The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.

Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.

King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.

Pub Date: Sept. 10, 2019

ISBN: 978-1-9821-1056-7

Page Count: 576

Publisher: Scribner

Review Posted Online: Aug. 4, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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This riveting Gothic thriller explores the limits of love, guilt, and punishment.

THE SHAPE OF NIGHT

Running away from the memory of a New Year’s Eve party gone terribly wrong, food writer Ava Collette escapes Boston for a remote Maine village only to face a haunted house and a murder investigation.

Bestselling author of the Rizzoli & Isles series, Gerritsen (I Know a Secret, 2017, etc.) returns with a spellbinding thriller. The focus stays tightly on the experience of the potential victim, Ava, which enables Gerritsen to spin a tight web. Entangled in her own guilt, Ava isolates herself further and further, avoiding calls from her sister and living alone in the ominous Brodie’s Watch mansion, named for its builder, a shipping master lost to sea more than a hundred years ago. Although Brodie’s Watch initially frightens Ava, the moment she steps over the threshold, she feels inexplicably welcomed. Indeed, she is most welcome, as the shadows in her bedroom coalesce into the shape of a man, a man who may well be the ghost of Capt. Brodie. He stalks the house most nights, seducing Ava into not only the passions of love, but also atonement through punishment meted out for her sins. And so Gerritsen shifts a murder mystery into a Gothic thriller, replete with an unsteady widow’s walk, secret alcove, strange smells, ominous sensations, and the ghost. Even the prologue echoes the dream of Manderley from Du Maurier’s Rebecca. But then a dead body washes ashore, and the police investigation suggests the dead woman was killed before she hit the water. Fearful that her spectral lover may be a real-life murderer, Ava inquires about Charlotte Nielson, the young woman who rented Brodie’s Watch before her and left in an inexplicable hurry. But Ava’s investigation uncovers a disturbing list of dead women, which the townspeople seem to have spackled over. Who are they protecting?

This riveting Gothic thriller explores the limits of love, guilt, and punishment.

Pub Date: Oct. 1, 2019

ISBN: 978-1-9848-2095-2

Page Count: 288

Publisher: Ballantine

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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