by K.J. Parker ‧ RELEASE DATE: Oct. 29, 2008
Burly, sometimes brutal, often enlightening, but the plodding and monochromatic narrative may be a hurdle too high for the...
A stand-alone military fantasy from the pseudonymous Parker (The Escapement, 2007, etc.).
Finally, a long debilitating war is over, though we never learn what the fighting was about. General Teuche Kunessin returns to Faralia to contact the other surviving members of A Company: Muri the tanner, farmer Kudei, fencing teacher Alces and store owner Aidi. During the fighting, they'd promised themselves a new life after the end of hostilities. Kunessin tells them he's acquired an entire island, Sphoe, from the military (by not entirely legal means) complete with buildings and harbor; the place is ideal for colonization. Kunessin has already bought a ship, supplies and equipment—with money embezzled, we learn later, from his fellow soldiers. After debating whether to simply buy slaves, they acquire legitimate wives and servants and set sail. However, conditions on the island aren’t quite as anticipated: most of the buildings are ruinous; worse, the army has left a garrison, and Kunessin must persuade them to quit the island. After the ship sails, taking away the garrison, to fetch more supplies, a fire destroys most of their flour and seeds. The ship won't return for months, so it's either starve or build a boat to reach the mainland. After backbreaking labor, the boat leaves. Meanwhile, in a vast and unwelcome complication, those waiting on the island discover gold in the nearby river. Interspersed with the colonial saga are passages detailing the company's war exploits, wherein we learn that one of the company is a traitor. The situation turns uglier yet.
Burly, sometimes brutal, often enlightening, but the plodding and monochromatic narrative may be a hurdle too high for the usual fantasy crowd.Pub Date: Oct. 29, 2008
ISBN: 978-0-316-03853-9
Page Count: 432
Publisher: Orbit/Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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BOOK REVIEW
by K.J. Parker
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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