A lovely introduction to the impact that a creative mind can have on the world.

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THE SHAPE OF THE WORLD

A PORTRAIT OF FRANK LLOYD WRIGHT

A whimsical look at the life of one of the best-known American architects.

Surrounded by pictures of famous buildings in his nursery, a white baby’s mother encourages him to soak up images of the world around him. Playing with blocks gives young Frank a sense of how geometry works, and summers on his uncle’s farm allow him to experience nature and discover shapes in everything he sees. Art and text work together to convey an inevitability to Wright’s growth toward his famous Prairie style architecture. Stringer’s watercolor illustrations depict the contrasting yet complementary geometric shapes and curved lines that characterize Wright’s work. The book’s strong design begins with its nearly square shape and a cover that’s reminiscent of one of Wright’s leaded stained glass windows. The theme of windows looking out onto the world is evident throughout, incorporating elements unique to Wright’s style. Rich colors are balanced with a clear, direct storyline that will capture children’s natural interest in the stuff of imagination. Simple prose set in a light type that reflects Wright’s art serves as a jumping-off point for each of the expansive illustrations, giving young readers ample opportunity to discover hidden gems in the pages, such as the red squares that are scattered throughout Wright’s work.

A lovely introduction to the impact that a creative mind can have on the world. (author’s note, illustrator’s note, sources, key to works depicted) (Picture book/biography. 4-8)

Pub Date: Sept. 5, 2017

ISBN: 978-1-4424-7821-3

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: May 31, 2017

Kirkus Reviews Issue: June 15, 2017

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Sage, soothing ideas for a busy, loud, sometimes-divisive world.

GRANDMA'S GARDENS

In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.

Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.

Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-593-11535-0

Page Count: 40

Publisher: Philomel

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered.

SHE PERSISTED

13 AMERICAN WOMEN WHO CHANGED THE WORLD

Inspired by Sen. Elizabeth Warren’s stand against the appointment of Sen. Jeff Sessions as U.S. attorney general—and titled for Sen. Mitch McConnell’s stifling of same—glancing introductions to 13 American women who “persisted.”

Among the figures relatively familiar to the audience are Harriet Tubman, Helen Keller, and Ruby Bridges; among the more obscure are union organizer Clara Lemlich, physician Virginia Apgar, and Olympian Florence Griffith Joyner. Sonia Sotomayor and Oprah Winfrey are two readers may already have some consciousness of. The women have clearly been carefully selected to represent American diversity, although there are significant gaps—there are no Asian-American women, for instance—and the extreme brevity of the coverage leads to reductivism and erasure: Osage dancer Maria Tallchief is identified only as “Native American,” and lesbian Sally Ride’s sexual orientation is elided completely. Clinton’s prose is almost bloodless, running to such uninspiring lines as, about Margaret Chase Smith, “she persisted in championing women’s rights and more opportunities for women in the military, standing up for free speech and supporting space exploration.” Boiger does her best to compensate, creating airy watercolors full of movement for each double-page spread. Quotations are incorporated into illustrations—although the absence of dates and context leaves them unmoored. That’s the overall feeling readers will get, as the uniformity of presentation and near-total lack of detail makes this overview so broad as to be ineffectual. The failure to provide any sources for further information should the book manage to pique readers’ interests simply exacerbates the problem.

Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered. (Informational picture book. 4-8)

Pub Date: May 30, 2017

ISBN: 978-1-5247-4172-3

Page Count: 32

Publisher: Philomel

Review Posted Online: May 15, 2017

Kirkus Reviews Issue: June 1, 2017

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