This is a book that will grow with readers: use it to inspire conversations of a philosophical nature as well as for...

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WHAT DO YOU DO WITH A CHANCE?

Perfectionists and those with social anxiety will find encouragement in the reminder that embarrassment is temporary and even the fearful can choose to take chances.

The tunic-clad child with shaggy, dark hair and a light complexion who appears in the duo’s prior works (What Do You Do with an Idea?, 2014, and What Do You Do with a Problem?, 2016) is now presented with chances, which materialize in the form of golden, origami-style butterflies. Finally attempting to grasp one, the child falls and is mortified when it seems that others titter in amusement. Deciding it’s better to avoid the possibility of future mishaps, the child ignores other chances but inside feels increasingly bereft, contemplating a safe-but-dull existence. When at last a chance thrillingly does appear again, the child decides to take the leap—literally—and feels jubilant exhilaration. Set in a pseudo-medieval fantasy world, the story makes abstract concepts usefully concrete. An ideal discussion starter at home and in the classroom, it will inspire conversations about humiliations endured (and recovered from) and chances taken (or not).Through the use of color, the watercolor-and-pencil illustrations vividly accentuate the contrast between the drabness of a risk-free life and the brilliant intensity of one fully lived.

This is a book that will grow with readers: use it to inspire conversations of a philosophical nature as well as for practical problem-solving. (Picture book. 4-8)

Pub Date: Feb. 6, 2018

ISBN: 978-1-943200-73-3

Page Count: 44

Publisher: Compendium

Review Posted Online: Oct. 16, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Eggs-quisitely excellent.

THE GOOD EGG

Being a good egg can be eggs-cruciatingly stressful.

This earnest counterpart to John and Oswald’s hilarious The Bad Seed (2017) opens with a direct address from an oval-shaped saint to readers: “Oh, hello! I was just rescuing this cat. Know why? Because I’m a good egg.” Just how good is this egg? “Verrrrrry good.” Without hesitation, the bespectacled egg offers to help others with carrying groceries, painting houses, and changing tires. The good egg even tries to “keep the peace” among the other 11 eggs in its dozen, who forgo their bedtime, eat sugary cereal, and break stuff. Rotten eggs indeed! When the pressure of being good proves too much, the beleaguered egg embarks on a journey of self-care. John embeds a seed of a great idea—finding a balance between personal and social responsibility—within a rip-roaring, touching narrative. Despite his sober narrator, the author’s sense of humor remains intact thanks to some clever (and punny) wordplay. Likewise, Oswald’s digitally composed, bright artwork pops with rib-tickling close-ups and character-building moments. Both text and art complement each other perfectly. Too long alone, the protagonist heads back to its rowdy family, imparting a slice of wisdom to readers: “I’ll be good to my fellow eggs while also being good to myself.” It’s an empowering moment made all the better when this good egg returns to find a rapturous welcome from the others.

Eggs-quisitely excellent. (Picture book. 4-8)

Pub Date: Feb. 12, 2019

ISBN: 978-0-06-286600-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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