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NO PLACE FOR MONSTERS

LITTLE NOBODY

From the No Place for Monsters series , Vol. 3

A creepy delight, with themes both timeless and topical.

In this third series entry, twin terrors rise to threaten the thoroughly haunted town of Cowslip Grove: the child-snatching Boojum and a school board that’s hostile to progress and inclusivity.

Tim Burton meets Edward Gorey in Merritt’s extravagantly gothic figures and settings, infusing his latest eerie outing with equal measures of chill and charm. Drifting about town in search of its original name, Little Nobody, a small wight covered in tattered paper scraps becomes an enthralled witness to the activities of a group of schoolchildren. They’re rehearsing a stage version of Tololwa M. Mollel’s Rhinos for Lunch and Elephants for Supper! under the direction of beloved new teacher Ms. Padilla, whose expansive approach to culture and science has put the shorts of certain local parents in a twist. Meanwhile, the Boojum readers met in former episodes has returned, whispering that change of any sort threatens Little Nobody’s survival and must be fought by burning down the school. In a measured, somber narrative that switches between ordinary text and neatly hand-lettered passages, the ghostly wanderer passes through realms mundane and supernatural, meeting other spirits and coming to understand the value and power of stories even as events culminate in hard choices and terrifying confrontations. Along with again proving that he’s a dab hand at creating a compelling, spooky atmosphere and authentically terrifying monsters, Merritt leaves readers with both a satisfying ending and opportunities to reflect. The human cast is racially diverse.

A creepy delight, with themes both timeless and topical. (Horror. 9-12)

Pub Date: Sept. 3, 2024

ISBN: 9780063283985

Page Count: 304

Publisher: Clarion/HarperCollins

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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