A sparkling re-creation of Britain’s literary and political avant-garde.
Love blossoms and repartee flows for playwright George Bernard Shaw and his coterie of late-Victorian literati and socialists in this blithe historical novel.
Hall’s yarn fictionalizes the relationships of three notable real-life couples at the center of British intellectual life in the 1890s. One is the attraction of Shaw, a self-proclaimed “writing machine” who insists that his work is too important to permit any commitment to a woman, to Charlotte Payne-Townshend, a down-to-earth heiress who puts up with Shaw’s vanity but proves adept at puncturing it: “You regard yourself as a fountain of genius indifferently showering anyone who comes near,” she tells him. “That makes you a splendid natural wonder, but a decidedly poor friend.” Another is the initially unrequited passion of Sidney Webb, Shaw’s colleague at the socialist Fabian Society, for socialist reformer Beatrice Potter; the two are obvious soul mates, but Potter lacks romantic interest in Webb because of his unappealing looks. And there’s the psychodrama of playwright and legendary phrasemaker Oscar Wilde and his grasping boyfriend, Lord Alfred Douglas, which later leads to Wilde’s ruin. The characters float through London’s restaurants, theaters, salons, and lecture halls and then spend much of the book at the Fabians’ summer cottage in the country; there, they suffer the inedible vegetarian diet that Shaw imposes on everyone and engage in sophisticated conversation about politics, morality, and affairs of the heart. Hall’s novel unfolds through diaries and letters, but it has a polished, theatrical air that’s redolent of Shaw’s and Wilde’s comedies; his version of Shaw has an acerbic egotism worthy of Pygmalion’s Henry Higgins, while Wilde is an inexhaustible source of witticism that hides depths of reflection beneath a surface of frivolous irony: “I adore morality,” he asserts. “It gives my sins their significance.” The other characters also get their due as they go about the work of steady, gradual remediation of society’s ills, and, along the way, they quietly steal the show from the brilliant talkers. The result is an engrossing period piece with gorgeous wordplay and a touch of serious thinking to boot.
A sparkling re-creation of Britain’s literary and political avant-garde.Pub Date: July 26, 2021
ISBN: 978-1-09-837073-2
Page Count: 334
Publisher: Inky Books
Review Posted Online: Sept. 4, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Review Program: Kirkus Indie
Haphazard and undemanding.
A sports agent’s first official client is the man she dumped years ago in college.
After two years of hard work as an underling, Nora Mackenzie is finally being promoted to full-time sports agent. She’s worked hard, kept quiet, and allowed men in the office to call her Mac—a nickname she hates—all to show she’s a team player and “one of the guys.” Unfortunately, her boss instructs her to sign Derek Pender, a football player coming off an injury, who happens to be the man she heartlessly dumped in their senior year of college. Derek signs with her for revenge, seeing it as his opportunity to pay Nora back for callously breaking his heart eight years earlier. He insists she be at his beck and call: answering his emails, running his errands, cooking dinner for his dates. He also refuses to let her explain why she broke up with him without warning or explanation. Nora feels she has no choice but to acquiesce to Derek’s humiliating demands, since she’s worked too hard to let him ruin her dream job. She hopes he’ll thaw and they might become friends, but Derek’s bad behavior is designed to hide the fact that he’s still in love with her. Nora’s characterization is uneven, veering between anger at how she’s treated in the male-dominated field to immature bickering and bantering with Derek. Although Adams likely meant for Derek and Nora’s interactions to have an enemies-to-lovers vibe, the characters instead seem juvenile and stuck in the past. The novel is fueled by a string of tropes—second chance romance! married in Vegas! only one bed!—each randomly deployed to keep the book going despite thin characterization and wan plotting.
Haphazard and undemanding.Pub Date: April 2, 2024
ISBN: 9780593723678
Page Count: 368
Publisher: Dell
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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