A superbly written tale filled with realistic, engaging, and quirky characters.
In Kaye’s (Iron Maidens, 2005) YA novel, a teenage girl runs away from her Northern California logger family and sets out on an odyssey that places her at the heart of the anti-logging community.
Jade Reynolds is fond of making up names for people in her life, such as “Driver Man,” “Apron Lady,” “Veroni-witch,” or “Yummy J.” She also refers to the “Here It Comes,” her cherished dreamlike state that’s somehow connected to trees (“Hyperspace daydreaming with a full-body peace that floods every cell”) and provides her with insights and small truths. She sets out on her journey after her uncle violently confronts an anti-logging protester, and, after catching a ride north, she ends up in Portland, Oregon, where her connection to nature blossoms as she attempts to follow in the footsteps of the “Garden Lady,” a guerrilla horticulturalist who secretly brightens the streets by planting flowers in the dead of night. It’s also revealed that a friend she calls “Peter,” from whom she’s gleaned much of her innate wisdom, is actually a tree in a “Family Circle” of redwoods near her home. While in Portland, she develops a crush on a dreamy guy named Justin (aka “Yummy J”), who convinces her to go to what he terms a “camp-tree thing.” This event turns out to be a tree-sitting protest in her hometown. In brilliantly onomatopoeic prose, Kaye shows how Jade comes to several epiphanies about her tree dreams while also coming to know the people that her family considers enemies. Throughout, the author relates the protagonist’s tale of redemption in delightfully sparse language, like a long poem in which small details matter, every word counts, and images are so cogent that they anchor readers in the fictive reality like tree roots: “Smoke comes out of his mouth in puffs with each word.”
A superbly written tale filled with realistic, engaging, and quirky characters.Pub Date: April 10, 2018
ISBN: 978-1-943006-46-5
Page Count: 195
Publisher: Spark Press
Review Posted Online: Jan. 30, 2018
Review Program: Kirkus Indie
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
PERSPECTIVES
Aspiring filmmaker/first-novelist Chbosky adds an upbeat ending to a tale of teenaged angst—the right combination of realism and uplift to allow it on high school reading lists, though some might object to the sexuality, drinking, and dope-smoking. More sophisticated readers might object to the rip-off of Salinger, though Chbosky pays homage by having his protagonist read Catcher in the Rye. Like Holden, Charlie oozes sincerity, rails against celebrity phoniness, and feels an extraliterary bond with his favorite writers (Harper Lee, Fitzgerald, Kerouac, Ayn Rand, etc.). But Charlie’s no rich kid: the third child in a middle-class family, he attends public school in western Pennsylvania, has an older brother who plays football at Penn State, and an older sister who worries about boys a lot. An epistolary novel addressed to an anonymous “friend,” Charlie’s letters cover his first year in high school, a time haunted by the recent suicide of his best friend. Always quick to shed tears, Charlie also feels guilty about the death of his Aunt Helen, a troubled woman who lived with Charlie’s family at the time of her fatal car wreck. Though he begins as a friendless observer, Charlie is soon pals with seniors Patrick and Sam (for Samantha), stepsiblings who include Charlie in their circle, where he smokes pot for the first time, drops acid, and falls madly in love with the inaccessible Sam. His first relationship ends miserably because Charlie remains compulsively honest, though he proves a loyal friend (to Patrick when he’s gay-bashed) and brother (when his sister needs an abortion). Depressed when all his friends prepare for college, Charlie has a catatonic breakdown, which resolves itself neatly and reveals a long-repressed truth about Aunt Helen. A plain-written narrative suggesting that passivity, and thinking too much, lead to confusion and anxiety. Perhaps the folks at (co-publisher) MTV see the synergy here with Daria or any number of videos by the sensitive singer-songwriters they feature.
Pub Date: Feb. 4, 1999
ISBN: 0-671-02734-4
Page Count: 256
Publisher: MTV Books/Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
