Predictable but pleasant, with a swoonworthy ending straight out of the movies.
When an aspiring actress wrecks her big shot, she needs her grandmother’s help to salvage her career.
Right before high school graduation, Evie Jones finally gets her big break, and it’s a starring role. But when her jealous best friend, who also auditioned for the part, posts a video of Evie impersonating the director, she is fired. Desperate to continue her family’s legacy—her parents are documentary filmmakers; her grandmother Gigi is a legendary actress—Evie makes a deal with her grandmother’s least favorite person, James Jenkins, who is Gigi’s ex-husband and Evie’s former stepgrandfather. The former couple co-starred in a film that became a cult classic, and he wants to remake it, but without her grandmother’s approval, he won’t cast Evie as the female lead. When Gigi disappears, Evie enlists her grandmother’s handsome, 19-year-old musician friend Milo to help find her before time runs out on her comeback opportunity. Evie’s character development is slow, and she comes off as self-centered for most of the book; Milo, by contrast, stands out, and readers may be disappointed that more time isn’t spent on him and his hilarious, quirky friends. The pacing is also off, with the most interesting action packed into the final chapters, but the novel is a light, sincere look at parental expectations and artists’ dreams. The main characters are black, and there is a diverse cast of supporting characters.
Predictable but pleasant, with a swoonworthy ending straight out of the movies. (Fiction. 14-18)Pub Date: Aug. 25, 2020
ISBN: 978-1-250-29502-6
Page Count: 336
Publisher: Roaring Brook Press
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
A light and entertaining plot-driven romance.
A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.
Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.
A light and entertaining plot-driven romance. (Romance. 14-18)Pub Date: March 31, 2026
ISBN: 9780593904794
Page Count: 384
Publisher: Delacorte Romance
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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