by Kristyn Merbeth ‧ RELEASE DATE: Nov. 5, 2019
A wild SF ride—alcohol and family dysfunction not included.
Merbeth’s (Raid, 2017, etc.) latest—the first installment of an SF adventure trilogy—follows a family of smugglers as they unknowingly become entangled in a grand-scale conspiracy that could ignite an interstellar war and kill millions.
It's been three years since Scorpia Kaiser’s older brother, Corvus, left the family business to enlist and fight in a bloody conflict on his war-torn home planet of Titan. But, with Corvus' service officially ended, Scorpia—at the behest of her mother, the Kaiser matriarch—is piloting the family ship, Fortuna, to Titan to reunite her brother with the family. Picking up Corvus wasn’t the only mission, however. Her mother is completing a deal with government officials involving highly illegal alien biological weapons that could potentially end the war. As Corvus, Scorpia, and their siblings wait for their mother to return to the ship, they discover that a cataclysm is sweeping the planet, wiping out entire human populations. Forced to leave their mother behind, the siblings barely escape with their lives. Once safely in space, they realize that their mother has been used to wipe out the population of an entire planet—and that this may just be the beginning of a much larger, and deadlier, conflict. While the storyline is a bit predictable, the narrative is powered by a cast of deeply developed characters. Scorpia, in particular, is impressively multidimensional—a barely functioning alcoholic who has major issues involving her demanding mother. The stoic point of view of Corvus—who has witnessed horrors during the war—complements Scorpia’s more demonstrative narrative and gives the story a nice tonal balance. The nonstop action and varying levels of tension make this an unarguable page-turner, and the ending, while satisfying, is a perfect jumping-off point to another much larger adventure to come.
A wild SF ride—alcohol and family dysfunction not included.Pub Date: Nov. 5, 2019
ISBN: 978-0-316-45399-8
Page Count: 560
Publisher: Orbit
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Jan. 6, 2015
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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