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THE GIRL IN THE GREEN SWEATER

A LIFE IN HOLOCAUST’S SHADOW

Captures both tragic events and beautiful images that continue to haunt the author after more than 60 years.

Gripping memoir of a Polish family that escaped the Nazi liquidation of Jews by living in sewers for 14 months.

Assisted by veteran co-author Paisner (Last Man Down: A Firefighter’s Story of Survival and Escape from the World Trade Center, 2002, etc.), Chiger begins her story with short, colorful childhood memories of idyllic life in prewar Lvov: “Like a princess. That is how I grew up, like a character from a storybook fable.” With the Nazi invasion on September 1, 1939, however, everything in four-year-old Krystyna’s life unraveled. Under the Hitler-Stalin nonaggression pact, at first the Soviets ruled eastern Poland, including Lvov. They nationalized her parents’ textile shop and forced the family to take additional residents into its spacious apartment, but things were “mostly okay.” But not after Hitler declared war on Russia in June 1941, and the Nazis occupied all of Poland. They used Ukrainian soldiers to terrorize and persecute Lvov’s 150,000 Jews; theft, destruction of Jewish businesses, systematic forced labor and murder became everyday experiences. Chiger’s father Ignacy had one goal: to keep his family safe. To that end he unashamedly employed guile and bribes; even his expert carpentry skills came in handy to construct secret spaces in which his daughter and son could hide during “liquidation actions.” When Nazis invaded Lvov’s Jewish ghetto for a final “action” in May 1943, the Chiger family and five other Jews descended into the city’s filthy sewers to hide. They were helped by a Catholic sewer worker who saw their salvation as a means of atoning for his early life as a criminal. Lively prose deftly describes the smell, the pitch-dark, the cold, the rats and the harrowing fear of being discovered by Nazis. Through it all, Ignacy Chiger’s ever-present sense of humor kept his family strong.

Captures both tragic events and beautiful images that continue to haunt the author after more than 60 years.

Pub Date: Oct. 1, 2008

ISBN: 978-0-312-37656-7

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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