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THATCHER'S TRIAL

180 DAYS THAT CREATED A CONSERVATIVE ICON

Readers on this side of the pond who are puzzled by the impassioned esteem and disdain in which Thatcher is held in Britain...

Britain’s storied Iron Lady comes in for a largely positive but not uncritical reassessment from a Conservative Member of Parliament.

Kwarteng (War and Gold: A Five-Hundred-Year History of Empires, Adventures, and Debt, 2014, etc.), who represents the historically conservative constituency of Spelthorne, may offend one or two die-hard admirers of Margaret Thatcher (1925-2013) with his careful qualifications: yes, she was a true-blue scourger of socialism and the welfare state, but she was defined by a largely negative program of what she was against. Yes, she had strongly held beliefs and remained true to her cause, but she was doctrinaire and an ideologue. More than anything else, she had an “almost preternatural ability to divide opinion,” such that few were undecided or neutral on the matter of Margaret Thatcher. Much of Kwarteng’s look at the end of Thatcher’s first term in office is a balanced assessment. She was, more than any other prime minister in modern British history, open to discussion and even dissent on the part of her Cabinet, and she thrived on confrontation and debate—“provided, of course, that she prevailed.” Occasionally, the author gives away more than he intends to: Thatcher, he writes, was a radical from the beginning, and her “quasi-revolutionary fervor” was deeply shocking to the established order on both left and right. One senses mild disapproval though not disavowal on Kwarteng’s part as he steers the narrative through purges of that Cabinet and the government, union-busting and strike-breaking, dismantling of various parts of the social safety net, and neo-imperialist adventuring—all of which took place in the last part of 1982 and first part of 1983, when Thatcher would profoundly remake the Conservative Party and be rewarded for it with a sweeping re-election victory.

Readers on this side of the pond who are puzzled by the impassioned esteem and disdain in which Thatcher is held in Britain will find much of value in this short but illuminating study.

Pub Date: Nov. 3, 2015

ISBN: 978-1-61039-562-5

Page Count: 288

Publisher: PublicAffairs

Review Posted Online: Aug. 31, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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GETTING REAL

For the author’s fans.

A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”

The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of  “abundant brain cells,” dampens the book’s impact.

For the author’s fans.

Pub Date: June 16, 2015

ISBN: 978-0-525-42745-2

Page Count: 272

Publisher: Viking

Review Posted Online: March 27, 2015

Kirkus Reviews Issue: April 15, 2015

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GIRL, INTERRUPTED

When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.

Pub Date: June 1, 1993

ISBN: 0-679-42366-4

Page Count: 176

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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