Readers on this side of the pond who are puzzled by the impassioned esteem and disdain in which Thatcher is held in Britain...
Britain’s storied Iron Lady comes in for a largely positive but not uncritical reassessment from a Conservative Member of Parliament.
Kwarteng (War and Gold: A Five-Hundred-Year History of Empires, Adventures, and Debt, 2014, etc.), who represents the historically conservative constituency of Spelthorne, may offend one or two die-hard admirers of Margaret Thatcher (1925-2013) with his careful qualifications: yes, she was a true-blue scourger of socialism and the welfare state, but she was defined by a largely negative program of what she was against. Yes, she had strongly held beliefs and remained true to her cause, but she was doctrinaire and an ideologue. More than anything else, she had an “almost preternatural ability to divide opinion,” such that few were undecided or neutral on the matter of Margaret Thatcher. Much of Kwarteng’s look at the end of Thatcher’s first term in office is a balanced assessment. She was, more than any other prime minister in modern British history, open to discussion and even dissent on the part of her Cabinet, and she thrived on confrontation and debate—“provided, of course, that she prevailed.” Occasionally, the author gives away more than he intends to: Thatcher, he writes, was a radical from the beginning, and her “quasi-revolutionary fervor” was deeply shocking to the established order on both left and right. One senses mild disapproval though not disavowal on Kwarteng’s part as he steers the narrative through purges of that Cabinet and the government, union-busting and strike-breaking, dismantling of various parts of the social safety net, and neo-imperialist adventuring—all of which took place in the last part of 1982 and first part of 1983, when Thatcher would profoundly remake the Conservative Party and be rewarded for it with a sweeping re-election victory.
Readers on this side of the pond who are puzzled by the impassioned esteem and disdain in which Thatcher is held in Britain will find much of value in this short but illuminating study.Pub Date: Nov. 3, 2015
ISBN: 978-1-61039-562-5
Page Count: 288
Publisher: PublicAffairs
Review Posted Online: Aug. 31, 2015
Kirkus Reviews Issue: Sept. 15, 2015
BOOK REVIEW
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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