A mighty collection of stories that expands the Power Ranger mythos.
Touted as the lost stories, this collection draws from across the Mighty Morphin universe.
When a mysterious fox changes all of the guests at a charity ball into cats and rabbits, it is up to the Yellow Ranger to find a way to not only save their guests, but change the outlook of the misguided fox in “A Spot of Trouble.” In “It’s Putty Time,” the Pink Ranger questions if the putties, while lacking in intelligence, might have feelings. In “Sabrina’s Day Out,” two of Rita Repulsa’s minions abandon their mission to dig up dirt on the squeaky-clean Power Rangers and decide to enjoy an afternoon at the carnival. The detailed and colorful artwork varies from hyper-realistic to cartoonish and everywhere in between. Lighthearted themes like villains pressed into service for good and a foiled day off are appropriately colorful. A darker story featuring the origin story of the gifted sculptor Finster follows his spiral into madness with illustrations rendered in sepia tones. The disparate collection of short stories is peppered with covers from various events and publications. Diversity is suggested through varying skin tones as it follows the Power Ranger lore. Fans will be glad to see that, as always, good triumphs over evil.
A mighty collection of stories that expands the Power Ranger mythos. (Graphic novel. 10-14)Pub Date: Aug. 14, 2018
ISBN: 978-1-68415-219-3
Page Count: 112
Publisher: BOOM! Studios
Review Posted Online: Nov. 24, 2018
Designed to look like a weatherworn comic found in the woods, this outrageously imaginative graphic novel touts itself as the “first extraterrestrial comic book on earth.” Through a series of untitled nonlinear vignettes, the wide-eyed and seemingly innocent-looking alien characters embark on a series of adventures (and misadventures) that capture intrinsically human characteristics. In some episodes, bright, boldly colored cutesy aliens—who bear a toy-like resemblance—juxtapose violent situations, portraying both beauty and horror, in smart cohesion. Evincing the cruelties, the comedies and the oft-bizarre traits of the protagonists through an inventive and unique format, Trondheim distinguishes himself as a trailblazer in the youth graphic-novel market. Readers will be delighted by the wordless tale with its endearing, yet rascally alien characters and the sometimes crude plot that encompasses a variety of motifs, from invoking compassion to scatological humor. Not for the younger set, but an accomplished offbeat selection worth considering. (Graphic novel. 12-14)
Pub Date: May 1, 2006
ISBN: 1-59643-095-8
Page Count: 96
Publisher: First Second/Roaring Brook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
Though classified as a graphic novelist, Delisle has claimed territory all his own as a graphic-travel memoirist.
Insightful, illuminating memoir of a year under a totalitarian regime.
In 2005-06, Delisle (Shenzhen: A Travelogue from China, 2006, etc.) accompanied his wife, who works as an administrator for Doctors Without Borders, to the country recognized by the United Nations as Myanmar. The United States and other democratic countries, however, still call it Burma, refusing to recognize the legitimacy of the military junta that seized power in 1989. As in the illustrator’s previous adventures in China and North Korea (Pyongyang, 2005), the focus is less on politics and more on the lives of the people he encounters—though such lives are profoundly shaped by politics. He comes to accept checkpoints and censorship as routine, and he does his best to find a suitable home, survive with intermittent electricity and Internet access and take care of his toddler son Louis, whose charm transcends cultural borders. The author also fears malaria, bird flu and poisonous snakes, though the DWB medical community provides more comfort than much of the Burmese citizenry enjoys. Delisle writes and illustrates a children’s booklet on HIV, an important contribution to a country in which heroin and prostitution are rampant. As in previous volumes, his eye for everyday detail combined with droll, matter-of-fact narration humanizes his 14-month experience in a country that might seem traumatic, even intolerable, in other hands. “There were no demands and no uprisings either,” he writes. “Things are always very calm here, thanks to a regime that creates paralysis by fomenting fear on a daily basis.” The undercurrents of Buddhism throughout the book culminate in his visit to a temple, where his meditation proves transformative.
Though classified as a graphic novelist, Delisle has claimed territory all his own as a graphic-travel memoirist.Pub Date: Sept. 16, 2008
ISBN: 978-1-897299-50-0
Page Count: 208
Publisher: Drawn & Quarterly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
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