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DARKNESS AND LIGHT

RETURN TO TERRA

A more polished and entertaining second installment covers much of the same ground as the first.

In the second of Hoy’s (Darkness and Light: Rise of the Omans, 2015) fantasy series, humans may hold the key to the survival of powerful beings from another world.

Having suffered betrayal, Auron, king of the Omans, ordered his people, the children of Light, back to Sonos. They’re returning from two pieces of dark matter, Luna and Terra, where the Omans, hoping to create new light by igniting the cores, were overrun by the Darkness and its Hollowed Minions. There was a life-form, however, on Terra, and they call themselves Humans, who are inexplicably thriving without light. Auron believes that the Humans can create new light to assure his people’s continued existence. On Sonos, lead engineer Relix reveals that she saved a Human male and female, but because their fragile bodies can’t survive outside of Terra’s atmosphere, Auron’s determined to return to them to their home planet. The king assembles another crew, including Auron’s lightmate, Akina. The plan is to reignite the cores of both Luna and Terra, where they may once again have to face off against the Darkness and Hollowed Minions, who thrive on mercilessly extinguishing the Omans’ lights. Championed by the Protector, who watches over the children of Light, Auron and the rest, with any luck, will vanquish their enemies and secure their future by keeping the Humans safe. Hoy’s sophomore outing shows signs of improvement over the preceding novel. The cast, for starters, is more clearly delineated. Merek’s got eyes for cook Osheida and vies for her attention, and one individual finds a way onto the ship, defying the king’s orders to stay on Sonos. The series’ already apparent religious theme (Omans strive “never to surrender to the Darkness”) becomes more pronounced and perhaps a bit too transparent: the two comatose Humans are called Etam and Ayva. Hoy injects stellar genre elements, including griffins and unicorns, and loads the plot with a good number of battle scenes. The story often feels like a retread, however, as the Omans’ mission is essentially the same as the first: create new light on Luna and Terra while contending with/resisting the Darkness.

A more polished and entertaining second installment covers much of the same ground as the first.

Pub Date: Oct. 17, 2016

ISBN: 978-1-5246-4510-6

Page Count: 257

Publisher: AuthorHouse

Review Posted Online: Jan. 10, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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